A Quote by Emily Dickinson
The words the happy say Are paltry melody But those the silent feel Are beautiful-.
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Garrel has succeeded in filming something we have never seen before: the faces of actors in silent films during those moments when the black intertitles, with their paltry, illuminated words, filled the screen.
Melody's like tweezers that go into the infection and pull out the wounded part. You can almost not stay silent in the face of a melody that matches your emotion. You feel seen.
Melody always comes to me first before words - cadence and melody. When you're humming the melody and it's incredible and words start coming out it can build into something special.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
The disciples were absorbed in a discussion of Lao-Tzu's dictum: "Those who know, do not say; Those who say, do not know." When the master entered, they asked him what the words meant. Said the master, "Which of you knows the fragrance of a rose?" All of them indicated that they knew. Then he said, "Put it into words." All of them were silent.
I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.
The truth is silent. The truth doesn't come with words. It's something that I just know; it's something that I can feel without words, and it's called silent knowledge.
Aren't we taught as kids that we're beautiful because we feel beautiful and not because someone else says so? You don't look like the model on the magazine cover but you can still be beautiful, so I can't say I really want to change anything. I'm happy with the flaws I have.
The English language lacks the words 'to mourn an absence.' For the loss of a parent, grandparent, spouse, child or friend we have all manner of words and phrases, some helpful, some not. Still, we are conditioned to say something, even if it is only 'I am sorry for your loss.' But for an absence, for someone who was never there at all, we are wordless to capture that particular emptiness. For those who deeply want children and are denied them, those missing babies hover like silent, ephemeral shadows over their lives. Who can describe the feel of a tiny hand that is never held?
Barefoot or first thing in the morning, I feel beautiful. I didn't always feel that way, but I feel that way now. When somebody loves you, and when you make somebody else happy, when your presence seems to make them happy, you suddenly feel like the most beautiful person in the world.
I'm definitely a fan of juxtaposition. Using the most beautiful line to say the most horrific thing - I think one of the main things in songwriting is definitely friction between the words and the melody.
If I can sit down at my keyboard and have a melody that says something that I can't with words, that's a really beautiful thing.
We have to learn to go beyond both a positive mind and a negative mind to become a silent, nonjudgmental, non-analytical, non-interpretiv e mind. In other words, the silent witness. In the process of silent witnessing, we experience inner silence. In the purity of silence, we feel connected to our source and to everything else.
I'm happy in a silent world - well, not a silent world but one that relies on - I'm in a pretty physical actor I suppose anyway, and I just don't - I don't struggle that idea of emotional expression just because there aren't words to explain yourself.
I love a beautiful, soaring, singable melody. But what really draws me to a song, at the end of the day, is the words.
I've always felt that singing is half technical, half taxing. You've got words, a melody, and an instrument, and you have to do justice to the words. You're just a medium for people to feel the song.
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