A Quote by Emily Giffin
there is always something comforting about knowing that you are not alone. That other people feel the way you do. That you are a bit screwed up, but still normal.
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If there's a feeling you have, other people have it. If there's something weird about your life, other people have lived it. If there's something kooky about your body, other people have that, too. We're not alone. There's some kind of tremendous relief in that and I think it can only be expressed in belly laughter. This tremendous relief that happens the millisecond we realize, it's not just me. That's what good laughter is about. It's about knowing that you're not alone.
Screwed-up people settle fights through violence. Screwed-up people start wars that could kill millions. Normal people settle fights through cookies, cakes, and pies. Normal people are fat.
There was something special about being in a strange place, all alone in a mass of people even if you had just screwed up your life, or perhaps especially if you had just screwed up your life.
We're all screwed up. And the way Christians mess things up is we act like we've got it going on. And if we would just stay in that place of, 'Hey, we're all screwed up and but for the grace of God, none of us have a shot here.' We need to have a sense of humor about it; that's kind of the way I've always faced my comedy.
I always felt a bit alone and isolated from other people...I did a lot of pretending as a child. It was my way of coping with the fact that I didn't feel like I fit in.
Normal people, who grow up with compassion, never amount to anything. They're the ones who end up gluing those little dots on the highway. Or, putting glue on the dots for the guy who glues dots on the highway. Screwed up people, who weren't coddled or raised with compassion, we get stuff done. Sure, we feel a little alone and abandoned, but, we're... very... happy. Why can't you love me, daddy?
You feel like you want something, but you don't actually know what that is. I remember waking up the other night and really craving something, but not knowing what it is. That feeling has been prominent throughout my whole life. I think I try and fill that thing with lots of different things. I can't really stay still. I can't really not be stimulated. It's kind of a search of constant stimulation through other people, substances and stuff. I think that's what our lyrical content is about.
Reading is always a way of forming a bond with other people. I'm not very good at socializing - I quite like spending time alone - so reading is a way of engaging quite deeply with the way other people think. Quite often when you meet other people socially you don't get to have a conversation of any depth. You end up talking about how well or how badly someone is doing at school or something of that sort. Questions like, "What we are," "Who we are," "Where are we going," you get those from literature and from people that spend some time thinking.
I would say natural is the best way to describe the real me. I'm not always going out or dressed up like I am on the red carpet. On a normal day, I wear normal clothes and wear little to no make-up. I'm always a bit girly, though.
What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop, tear off their clothes, and scream about how screwed up the world is. But for the people down below, all they see is a person losing their mind. I wanted to make something that channeled that emotion in a way that elicited an empathetic response from the reader. So that after you read this book, you would want to run up to the rooftop and scream about how screwed up the world is.
The more we as a society make women's sex lives seem like a secret, the more hostile that becomes. Because when you get into that cycle of thinking, no matter what you're doing, you feel shameful about it, because there's no way to talk about it. I think that through talking about it and sharing stories you realize the things you may have felt shameful about are totally normal and totally OK. Everyone's normal in their own way. You can only come to that realization if you're having these conversations, and learning what normal is for other people.
You're creating music to pull people into a world, whether it be a visual medium where music is just one element, or a purely musical medium. Either way, you're trying to transport people and to create a connection. I've always felt that the best films and the best albums can be the best company. If people feel a little bit less alone because of something I had a hand in creating than I feel like I'm contributing to the world in a positive way.
I'm a normal, horrible, screwed up human being like everyone else. I mean, I'm not horrible person, but I'm just as screwed up as anybody.
People are screwed up in this world. I'd rather be with someone screwed up and open about it than somebody perfect and ready to explode.
It's a city that we have always liked. Who doesn't like New York? When you are here you do feel a bit more anonymous. Obviously, you still find people who recognize you, but it's nice to be able to go out and walk around and have it be a normal experience.
There was something immensely comforting, I found, about a crumpet - so comforting that I've never forgotten about them and have even learned to make them myself against those times when I have no other source of supply.
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