A Quote by Emily Giffin
Then he asks if he can kiss me. It is a question I don’t usually like. Just do it, I always think.
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On some positions, Cowardice asks the question, 'Is it safe?' Expediency asks the question, 'Is it politic?' And Vanity comes along and asks the question, 'Is it popular?' But Conscience asks the question, 'Is it right?'
Some early writing say that when people kiss, they exchange the soul, that it's between their mouths and tongues that the soul is exchanged. And so the kiss is more of a soulful connection maybe than intercourse and other ways of being together. A kiss asks a lot from you. I think it asks a lot from a person to really kiss.
On some positions, cowardice asks the question, is it expedient? And then expedience comes along and asks the question, is it politic? Vanity asks the question, is it popular? Conscience asks the question, is it right? There comes a time when one must take the position that is neither safe nor politic nor popular, but he must do it because conscience tells him it is right.
I think in a lot of romantic comedies it ends with a kiss, and I feel like in modern day relationships, and maybe just my own experience, it starts with a kiss and then all sort of falls apart and then comes together.
I think in a lot of romantic comedies it ends with a kiss, and I feel like in modern day relationships, and maybe just my own experience, it starts with a kiss and then all sort of falls apart and then comes together. You're texting. You're wondering what's going on. There's no definitions, there's no labels.
There are many different types of kisses. There's a passionate kiss of farewell - like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can't-really-be-with-you-but-I-want-to-be - like with Superman and Lois Lane. There's the first kiss - one that is gentle and hesitant, warm and vulnerable. And then there's the kiss of possession - which was how Ren kissed me now.
Now and then I'll get a student who asks a question that puts me up against the wall and maybe by the end of the semester I can begin to deal with the question.
Cowardice asks the question, is it safe? Expediency asks the question, is it politic? Vanity asks the question, is it popular? But conscience asks the question, is it right? And there comes a time when one must take a position that is neither safe, nor politic, nor popular, but one must take it because it is right.
I have often had cause to feel that my hands are cleverer than my head. That is a crude way of characterizing the dialectics of experimentation. When it is going well, it is like a quiet conversation with Nature. One asks a question and gets an answer, then one asks the next question and gets the next answer. An experiment is a device to make Nature speak intelligibly. After that, one only has to listen.
In my opinion there are two basic questions that any writer tries to answer. "What is?" is the question non-fiction asks. "What if?" is the question fiction asks. That's the question I'm more interested in.
Back at high school, there was this quarterback who asks me out. He's never paid attention to me before, but now we're on this date, going to see the 'Sixth Sense.' And right before the climax, he leans in - and I'm so excited, because I think we're going to French-kiss - and then he tells me the twist. He completely ruins the movie for me.
Everyone always asks me who my muse is, or who's the girl I have in mind, which is such a hard question for me to answer because I feel like it's a sensibility that varies for each individual.
If - when someone asks me a question, if I could just focus on not joking, I think that would be great, because for some reason, I can't.
My first kiss was with a girlfriend. And it was at a party. I think I was hopeful that that would happen, but I didn't plan it. You know, honestly, I think if there's a little too much planning, it's almost just like self-sabotage. Because then, you want it to go a certain way and it just doesn't. And then you're like, 'Awww, why!?!'
My first kiss was with a girlfriend. And it was at a party. I think I was hopeful that that would happen, but I didn't plan it. You know, honestly, I think if there's a little too much planning, it's almost just like self-sabotage. Because then, you want it to go a certain way and it just doesn't. And then you're like, 'Awww, why?'
You just feel like you're doing a job that you want to be doing, and then one day, somebody asks you a question like that: 'What's it like to be famous?' It doesn't really mean anything. The only difference is some people stop you and ask you for photographs.
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