A Quote by Emily Giffin

Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain. — © Emily Giffin
Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
I've struggled with gender norms my whole life, always feeling like I wasn't black-and-white; I was in this gray area, and gray areas really scare people because you can't define them.
...Do you see things in black and white, or are there shades of gray for you?" "I hope there's gray...Black and white make things easier, but only if you don't want to think.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence -- either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward.
I think the fun thing about this franchise [Planet of Apes], as storytellers, is that a lot of the franchises are very black and white. This is all about the gray areas; it's really about the nature.
Life isn't black and white. It's a million gray areas, don't you find?
I don't look at things in black and white. There are big gray areas. There's a lot of slippage.
I think people understand things different when they get older. It’s not a question of getting soft, or seeing things in the gray areas instead of black and white. I really believe I’m just understanding things different. Better.
People talk about the middle of the road as though it were unacceptable. Actually, all human problems, excepting morals, come into the gray areas. Things are not all black and white. There have to be compromises. The middle of the road is all of the usable surface. The extremes, right and left, are in the gutters.
Many people say that this is not an easy issue, we cannot just say that this is how it is, it's not black and white. But I say that this is black and white. Either we stop the emissions or we don't. There are no gray areas when it comes to survival.
We want to live in the black and white, but we don't. The world is gray. And, I'm always fascinated by people who are clearly, 'This is black and this is white, and that's the way life is.' Life always has something to say about that.
Black is the absence of all color. White is the presence of all colors. I suppose life must be one or the other. On the whole, though, I think I would prefer color to its absence. But then black does add depth and texture to color. Perhaps certain shades of gray are necessary to a complete palette. Even unrelieved black. Ah, a deep philosophical question. Is black necessary to life, even a happy life? Could we ever be happy if we did not at least occasionally experience misery?
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
Gee, I wish that life were so black and white that you can't think of a single person who, you know, a good person who has done bad things.
Sometimes even when the book is over I don't know who's good and who's bad. It's really more interesting, I think, to write about gray characters than it is to write about black and white.
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