A Quote by Emily Giffin
I think it always feels riskier and scarier to go after something you really love and want because the rejection and failure hurts more.
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I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
Rejection never feels good, but it certainly hurts less when we are not needing something from the person who is rejecting us.
Everyone says love hurts, but that is not true. Loneliness hurts. Rejection hurts. Losing someone hurts. Envy hurts. Everyone gets these things confused with love, but in reality love is the only thing in this world that covers up all pain and makes someone feel wonderful again. Love is the only thing in this world that does not hurt.
Success is always an easier motivator, because you want more of it. But I've also been motivated by failure. Had I medaled in London, I don't think I would be one of the few that have gone to a Summer and Winter. I would have been content with that medal. Instead, I used that failure to go to the Winter Olympics. I always tell people that failure can be one of your biggest motivators if you just have an attitude adjustment about it.
I love doing a television show. It just always feels like it's a little while before you find something that feels unique and that feels like a character that you really want to play for awhile.
Sometimes hate hurts more than love feels good. Just have to realize it's because we're more used to love. Let the haters stumble by.
Mortals always want something more- they wish for money, but what they're really after is to be carefree. Power when what they really want is control. Beauty when they want love. Sometimes they know it, sometimes they don't
And that is the trouble with all lovers: they want more love, because they don't understand that the real desire is not for more love, but for something more than love. Their language ends with love; they don't know any way that is higher than love, and love does not satisfy. On the contrary, the more you love the more thirsty you become. At the fourth center of love, one feels a tremendous satisfaction only when energy starts moving to the fifth center.
I didn't want to get divorced, but at the point where your children are part of it, you have to do something. I would really love it not to have happened because it haunts you, it will never go away, and it is probably the biggest failure, and I have to live with that.
This is what it feels like to care about someone who doesn't feel the same. I'd only known how it felt to love someone who loved me just as fiercely. I'd never known rejection. I'd never wanted someone who didn't want me. The longing didn't go away with rejection.
Ghosting's a horrible thing, isn't it? It doesn't feel good, it feels like a rejection. And what's more, it feels like a rejection where there's no closure.
I love doing comedy, I really do. It was perhaps my first love. And I think, as an actor, you're young and you do school plays and the reason you go 'I might do more of this' is because you make people laugh in a school play. You don't go and do Hamlet when you're nine and go: "I feel people were really moved out there!" You do a silly voice and everyone laughs and you go: "Ooh, that feels quite nice. I might make a life out of this!"
If I read something great and I want to go after it, I go after it. You don't wait to see what Hollywood wants to do with you. You decide what you want to do. I don't mind fighting when I really want something.
The only thing I regret is not winning the Premier League with Liverpool. I'll never know how that feels and experience the reaction of the city, as I did after Istanbul. It hurts because I know the people want the league title more than anything.
People who go out and do hits year after year after year, I think the fans deserve more than that. The audiences deserve more than just that. You need to give them something new, or things you really love to sing. And they love it.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
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