A Quote by Emily Giffin
The best thing about being an author is writing stories and having people - strangers all over the world - connect with them.
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I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
The more people I meet, the more cultures I start to embrace, the more people I open myself up to - it's a growing process I'm excited about. But it's also a challenge for me, to be at this level and still be able to connect with somebody who's living that everyday life. At first it was something I struggled with, because everything was moving so fast. I didn't know how to digest it. The best thing I did was go back to the city of Compton, to touch the people who I grew up with and tell them the stories of the people I met around the world.
Give, give, give - what is the point of having experience, knowledge or talent if I don't give it away? Of having stories if I don't tell them to others? Of having wealth if I don't share it? I don't intend to be cremated with any of it! It is in giving that I connect with others, with the world and with the divine.
The one thing I've always done as an author is talk to my publicists. Because they have all the best stories - and they have all the dirt on other, more famous and important writers. They're not supposed to talk about it, but sometimes you can get awesome little tidbits from them.
Being honest about where you come from and what your story is is the only way to connect to other people, to really connect with them.
Because here’s the thing: No matter how much one tells stories of magical beasts or impossible worlds, in the end, it is always the world of here and now one is writing about. The better one understands that world, the more powerful the stories will be.
I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.
The theatre is a world in itself. The possibility for creating experiences that move people is increased many times over. In the end, the best stories are usually about a battle of good over evil - that has never changed.
Readers are hungry to have their stories in the world, to see mirrors of themselves if the stories are about people like them, and to have windows if the stories are about people who have been historically absent in literature.
The most important thing about being in wrestling is that you have to connect with the crowd, connect with the fans, and you either want them to love you, or to hate you. Either way, so long as they're reacting to what you're doing.
I am constantly concerned about being quoted in the press and perhaps saying the wrong thing or having what I say misinterpreted and bringing reproach to the name of Christ. People do not come to hear what Billy Graham has to say; they want to hear what God has to say. Jesus tells us not to be misled by the voices of strangers. There are so many strange voices being heard in the religious world of our day. We must compare what they say with the Word of God.
If I want people to connect to my words and my stories, I need to tell them where they came from. Because then, when you break into song, they have kind of a blueprint for why I wrote that song, so they can come to it with something they went through that helps them connect to it.
This is the thing I've never understood: If someone is going to hell for being gay or being a Jew or a Muslim or having an abortion, then what are you worried about? You don't need to try and convert these people or try and save them. If you really believe in your religion, these people are already doomed, so stop worrying about them.
I think that writers are best served by sticking to their writing. Not having loads of theories about the best way to position the writing. I think that if the writing is good and the point of view is strong, the writing is going to take care of itself.
The best thing about having brothers and sisters is that they're brutally honest. My brother just got the 'Narnia' game, and first thing he does is kill me in it! Six times, over and over again!
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