A Quote by Emily Haines
That's the main work that I've done in my life - really wanting to get past that gender trap where there's a certain nudity in poetry. It's not about showing my soul, it's about observations.
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My main thing is family first. This industry can get you so caught up that you're so busy chasing, wanting to be number one and wanting to be the richest that you lose sight of what life really is about.
Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.
I don't believe in nudity for nudity's sake, but it's really beautiful when it's done well, when it's within a story. I'm very comfortable with my body. I grew up mostly in France, where nudity is not taboo.
The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.
I don't talk about my past; people ask me about it. I've done things I'm ashamed of, but one thing I can honestly say is that things I've done that I regret, I've never done twice. I work really hard at that.
And if you can find any way out of our culture, then that's a trap too. Just wanting to get out of the trap reinforces the trap.
I've always thought about gender, as someone who has been categorically "gender nonconforming" for my entire life, I was forced to think about it, but obviously I became more conscious of it as a social issue as I've gotten older. And as I've met more folks who are genderqueer or trans, it's been really enlightening to hear their stories, and it got me thinking about my own gender history.
I'm really thrilled to kind of be a role models for my daughters, and showing them the passion about what I do, and I get to go to work and I love to go to work. That's what I saw my mom doing my whole life.
I've never really understood the desire to be immortal myself. The idea of both wanting to live forever in some form and wanting to stay young forever just sounds exhausting. It's one of those desires that people think they want but when you actually stop to think about what it actually means, it's really awful. One of the reasons that life is bearable is because it's going to end soon. One of the main concerns of fiction is how do we make a life of 85 years or so meaningful.
One of my main wishes in wanting to write about my mother was to explore the impact of her death on my life, explore our relationship, think about the different versions of myself that I was with and without her. I also had the really strong wish to bring her to life for my children, who were born after she was gone.
Genuine religion is not about speculating about God or the soul or about what happened in the past or will happen in the future; it cares only about one thing finding out exactly what should or should not be done in this lifetime.
My first memory was of stories about the past - a past that, according to the storytellers, was superior in every way to the life then being lived. It didn't take me long, however, to understand that the present was all we had, for the past was gone, and nothing could be done about it.
Wanting something - wanting a career or wanting to make something - doesn't really mean much. It's about finding something you care about. Because caring is the only thing that really matters.
The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
If we think about sexual life for a gender life, it seems to me that we have to allow for certain kinds of changes or certain kinds of ways of reconceptualizing ourselves.
With music, you're really showing someone a piece of your soul. You're saying, 'This is mine. I wrote this, I made this, I'm performing this. This is how I'm presenting it to you.' There's something really scary about that, but there's also something next-worldly about it, too.
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