A Quote by Emily Haines

The nature of making music and making art, what motivates me is that it's interesting. It's interesting to listen, to really listen to other people's point-of-view. Take in their work. Listen to the way they sing. Listen to the way they write lyrics. What they are trying to express.
I listen to new music by composers who are interesting to me. I listen to some; I don't know if I want to call it pop, but it's some interesting artist that gets my attention, I listen to in the mornings.
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
I'm making music for other people to listen to for pleasure. And hopefully, later on maybe they'll listen to it and go, "That bass line, boy, did you hear the way those drums interacted with that?"
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
Way back in the day, when I first started and had delusions of adequacy as a cartoonist, I would listen to music. When I switched to a career as a writer, I would try to listen to music, but if the songs had lyrics they would get in the way of the words I was trying to write. So I switched to listening to purely instrumental pieces.
For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?
In life we listen to other people. Listen with varying degrees of concentration and attention, right? Actors must learn to listen in a different way.
People, my age, people older, people younger, it's like they look up to me. They listen to my lyrics for wisdom. They listen to my lyrics for like game. They listen to my lyrics for real deal beneficial purposes.
I don't listen to music. I very rarely listen to music. I only listen for information. I listen when a friend sends me a song or a new record.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.
I listen to country music. I listen to jazz. I listen to R&B. I listen to Jimi Hendrix a lot.
Teach your children to listen carefully and to speak thoughtfully. The best way to teach this is to listen carefully and speak thoughtfully to your children, from the time they are babies. Take their questions and ideas seriously... learning to speak and listen as if our words matter is fundamental to education. Dialogue is not the same as mindless chatter. Above all, listen, listen, and listen to your kids.
I love my family's music because I love it. It's good. I listen to the Winans all the time. I listen to BeBe and CeCe. I listen to Angie and Debbie. I listen to Uncle Daniel. I listen to Phase 2, my two brothers and my two cousins. I think they're incredible.
When I listen to Amy Winehouse, I believe that her heart and soul is in the music, or if I listen to other British artists like Duffy or Estelle. The aesthetic of it is different, and it's my point of view. It's not anything formulaic.
Making films is - or should be - a very personal experience. You shouldn't listen to anybody, other than the people you choose to listen to.
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