A Quote by Emily Henderson

As long as you work in a color palette and you style what you already have within that color palette, it's going to look good together. — © Emily Henderson
As long as you work in a color palette and you style what you already have within that color palette, it's going to look good together.
I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.
The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
Color, like everything else concerning visual expression, usually boils down to a gift, an innate sensibility and sensitivity. Ultimately, artists develop their own palette and color sense.
In our life there is a single color, as on an artist's palette, which provides the meaning of life and art. It is the color of love.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
I never plan anything in an analytical way before I shoot, but when I look back there seems to be kind of a primary color palette.
My style is a little masculine, and what I loved about Pyer Moss was how well he can make a blazer, the looseness of those pants, or color palette that he chooses from season to season.
I use the audience as my color palette, my instrument.
I like to use the audience as my color palette, my instrument.
In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
Television is much more of a producer's writer's medium, so a lot of the time, when you're directing a television show, they have a color palette on set or a visual style and dynamic that's already been predetermined, and you just kind of have to follow the rules.
Color is like music. The palette is an instrument that can be orchestrated to build form.
Each character represents a different color on the big palette of what this ultimate painting is going to look like, who your guy is, and just try to be as honest and simple and real as you can possibly be. The outer trappings are incidental - costumes, period, makeup - all of that is rather insignificant at the end of the day.
It's so hard to do fittings [for Yeezy] because we want to do things that are inspiring, that people could look at and say, "Wow, I like that color palette, I could put that together." And there are so many images of things that it's almost impossible to have your clothes go up against the amount you're seeing and carry it into one language.
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