A Quote by Emily James Smith Putnam

The lady is proverbial for her skill in eluding definition ... she may be described merely as the female of the favored social class. — © Emily James Smith Putnam
The lady is proverbial for her skill in eluding definition ... she may be described merely as the female of the favored social class.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
She only maintains that it is possible, under some circumstances, for a lady to murder her husband; but that a woman who wears ankle-strap shoes and smokes on the street corner, though she may be a joy to all who know her and have devoted her life to charity, could never qualify as a lady.
Take love as a sober man takes wine; do not become a drunkard. If your mistress is sincere and faithful, love her for that; but if she is not, if she is merely young and beautiful, love her for that; if she is agreeable and spirituelle, love her for that; if she is none of these things but merely loves you, love her for that. Love does not come to us every day.
My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.
I decided that if I want to write about a female hero in the 1920s, I'm going to have to give her all the advantages I can because she has serious disadvantages in being a woman. I wasn't going to have her cowed or overawed by class, so she had to be titled.
The song "This Is Not Surreal," was inspired by a painter I love, Frida Kahlo. She really did suffer for her art. She speaks to me. She was brutally honest in her work. At that time in fine art, you really didn't see many female artists expressing that. She was such a strong female presence, and I really look up to her. She had a lot of physical pain.
An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she feels that she may exert all her powers of pleasing without suspicion. All is safe with a lady engaged; no harm can be done.
Girls will probably - if she's a lady - never do the No. 2 around you. If they're not a lady, she might poo. You might ask her, 'What's that smell?' And she'll be like 'I don't know!' But it really might be her. Because it happens.
Ever argue with a female and, in the middle of the argument, you no longer feel safe because of her actions? She may start pacing back and forth real fast, breathing out her nose. You know what my girl do? When she get mad, she start talking in the third person. That's scary as hell because that's her way of telling me that from this point on, she is not responsible for none of her actions.
There she weaves by night and day, A magic web with colors gay. She has heard a whisper say, A curse is on her if she stay, To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
My mother didn't feel sorry for herself, she was left with no child support, no alimony at a very young age, with a child to raise, a high school education and she just figured it out. She didn't complain, she didn't rely upon government, she relied upon her own skill set, her own self confidence, her own drive in moxie and her own duty to me and her and she relied upon her family and her faith.
My greatest inspiration has to be a Thai lady called Kru Nam, 40, she is from an upper middle class family and degree educated who has chosen to dedicated her life to rescuing children. I met her just after she rescued 27 children, since then she has continued to rescue more children without money, influence and making connections.
We went to the same college so I know [Hillary Clinton's] study habits, but when she was first lady of Arkansas, she did a lot of things already for children, and she was head of the Children's Defense Fund, and that's how I first heard her or met her, she was very very involved in really a very important social program to do something about children and women and education.
My second mother is my maternal grandmother. Her name is Thelma. She also gave me a very powerful medicine; she made sure that I knew my role as a young lady and as someone with moral structures and principles. She taught me that if I was going to be involved with anything, whether it be spirituality, music, or some skill, that I have to practice.
In all social systems there must be a class to do the menial duties, to perform the drudgery of life. That is, a class requiring but a low order of intellect and but little skill. Its requisites are vigor, docility, fidelity. Such a class you must have, or you would not have that other class which leads progress, civilization, and refinement.
The new female is not limited in any way. She yearns to give the gifts she was born to give, and she does what is necessary to give them. Where her heart leads, she goes. No one defines her role for her. She is on a spiritual journey. Authentic Power is her destination.
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