A Quote by Emily Lazar

I approach mastering a little differently than some of my peers: I spend a lot of time creating a dialogue with the artist and the producers and mixers to try and get what they really are looking for.
Producers are the people behind the biggest artists in the game. We definitely deserve that title to be considered as an artist, because producers don't get the recognition and the credit that they really deserve a lot of the time.
I don't really have time or interest in doing a lot of the crazy things that some of my teenage peers do, mostly because I have such a hectic life that I don't need to add to that chaos by creating my own teenage drama like a lot of teenagers do.
I spend a lot of time reading and try to make sure that I can get a little bit of alone time every day.
As an introvert, you have to spend a lot of time with me and then little bits of my personality will come out over time. But as an artist, sometimes you only get five minutes to impress someone, so it is kind of hard.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.
I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale.
If you know anything about what a lot of the senior leaders at Amazon do in their free time, they spend a lot of time on civil liberties. It's something that's very important to me and I think a lot of my peers.
By virtue of my job, I'm traveling. You get to spend very little time with your family. We hardly get to meet each other except on the one odd day we really get to spend time, have dinner together. And that's rare, and we cherish it.
I feel like if I can help somebody look at money differently or manage their finances differently or spend a little differently, then I feel like I'm doing my job. So I'll try to help them see the bigger picture and think longevity versus the temporary spending that we're kind of accustomed to.
I try to spend a lot of time with people outside my direct reports. The view from the top is totally distorted. If you only spend time with your directs, you have no perspective on what's really going on.
I really admire songwriters or any kind of writer, painter or artist that says, "I'm going to get up at 8 o'clock in the morning and spend this time to this time creating." I do that sometimes, but the songs I like the best come as gifts from somewhere. It's almost like you didn't do anything, like you can't take credit for it because you sat down and the melody and words came out.
I try to be the best husband and father I possibly can. And it doesn't mean I get to spend as much time with my family as I'd like, but I do the best I can. Even if you do get to be an astronaut and get to go and do a lot of interesting things, at some point that will come to an end. If in the process you short change your family or compromise your values along the way, when you get through on the other side, it won't really be worth it. At least not to me.
When you've got four people to get dressed to get out the door, you don't really tend to spend a lot of time on yourself. But that's the way I roll anyway. I was never one to do my hair and make-up just to go down to the market, so it's really not that much different. If I get a little eye cream on, I feel like I'm ahead of myself.
Away from football, it is just family. I try to spend time with my kids - I have to spend a lot of time away, so every time I am at home, I like to spend time with them.
Often by the time writers and producers try to get a new hit song, the industry has already moved on. Whatever you're creating might not be as hot as it would have been during the time of your first hit. It definitely compromises the creative process when the music is changing and evolving so fast. If you're not on top of it, you will be forgotten.
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