A Quote by Emily Maitlis

The stuff we have been told off record tends to be the stuff that is true and the stuff we are told on record on camera tends to be the stuff that is not so true. — © Emily Maitlis
The stuff we have been told off record tends to be the stuff that is true and the stuff we are told on record on camera tends to be the stuff that is not so true.
I'm doing this record called 'Epicloud.' Over the course of the full record, there's sort of new agey stuff, jazzy stuff, really heavy stuff. We basically cover the gamut.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
It's not that I sit down and write great stuff without thinking, not at all. Most of it is terrible. But the stuff that feels fun and fresh to me tends to happen fairly unthinkingly.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
I'm not good at very many things. The stuff I'm good at tends to be the stuff that people know me for.
I have a list of stuff I need to do during the day. I try to do a couple of hours of professional stuff, be it hockey stuff I haven't gotten to the last little while, husband stuff, everything to repairing stuff around the house that I neglected around the winter.
I'd done plenty of dark stuff and edgy stuff and hardcore stuff, and I kind of found that stuff easy.
History being the record of human action is a richly variegated material, and it is not easy to give a true impression of the stuff by snipping off an inch or two for a pattern.
There are a lot of stuff on the record that I am thinking is generic but actually it is just as good as everybody else who is putting stuff out at the time.
The Replacements are the foundation for a lot of what came after in alternative and college rock. Let It Be is their best record and has the most diverse collection of songs. Some pop stuff, some heavy stuff, and some real moments of beauty like 'Sixteen Blue' and 'Androgynous.' It's a record I always go back to.
Everyone told me, "Don't ever talk about international stuff," and "Don't do long-form content online," and "Don't get too serious in news," and "Don't be too heavy" - all this stuff, all the rules. But we broke the rules, and that, ironically, has led to some of our most successful stuff.
I go back to the old school days of that Attitude Era stuff. Everybody knows when I speak of the Attitude Era, my favorite stuff is of the mid-'80s, all that NWA stuff, the World Class stuff, the stuff that Bill Watts was doing.
Bands are always told, 'Nobody wants to hear your new stuff - just stick with the meat and potatoes - that's what people come for.' That's only half-true. I know if I went to see U2, I would be thrilled if they did 'I Still Haven't Found What I'm Looking For,' but I'm equally as thrilled to hear their new stuff.
I would love to work more - I really would - but there is not a lot of stuff around and the stuff that is around is not very complicated; it tends to lie a little flat.
I would love to work more - I really would - but there is not a lot of stuff around and the stuff that is around is not very complicated; it tends to lie a little flat
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