A Quote by Emily Meade

I think teenagers at any time are testing to see how far they can go and where authority comes in. — © Emily Meade
I think teenagers at any time are testing to see how far they can go and where authority comes in.
I have a very sissy job, where I go to work and get my hair done, and people do my makeup, and I go and say lines and people spoil me rotten. And everyone has that kind of curiosity of how far can you go, how far can you take it. I think it's always good testing yourself.
I think people discredit teenagers and how wise they can be. Sometimes I meet teenagers who are much wiser than many adults I've met, because they haven't let any insecurities or doubts about themselves get in the way of their thoughts.
Tall oaks grow from little acorns.Testing. This is the text of an item. Testing. Origin. Testing. Quoted. Testing. Source. The diligent farmer plants trees, of which he himself will never see the fruit.
Any expensive ad represents the toil, attention, testing, wit, art, and skill of many people. Far more thought and care go into the composition of any prominent ad in a newspaper or magazine than go into the writing of their features and editorials.
I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
The parents of teenagers would love to have a car that won't go very far or go very fast. They could just cruise around the neighborhood, drive it to school, see their friends, plug it in overnight.
I want to see how far I can train. I have to see how far my body will go.
I think sometimes bad behaviour can be liberating for certain people. They need to behave badly to find themselves - to go off path to find their path. You see it with kids all the time: They're testing boundaries, and I think that's healthy.
I don't see life as an opportunity to see how far you can go in the pursuit of pain, although I think I've challenged it a bit.
After seeing Avatar the movie, you see how far it can go to be right. But you kind of see that and go, "Oh, there's the bar now, and how close can we get?"
I love to see how far you're able to go, both in skills but also emotionally how far I can push myself.
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
When I'm menu-developing at Milk Bar, I'll go for weeks at a time where all I'm doing is testing out layer cakes or different cookies and testing out changes.
The ego searches for shortcomings and weaknesses. Love watches for any sign of strength. It sees how far each one has come and not how far he has to go.
It's good for people to be able to see an archive of an artist learning how to write and getting better, especially for teenagers who are starting to write: to see that I started out making pretty easy and weird and bad-sounding music and that you can teach yourself how to write over a long period of time.
My kind of nightmare quote is from Deborah Tolman, who does research on girls and desire and is, I think, brilliant. She told me that by the time girls are teenagers, when she asks them how sexual experience made them feel, they respond by how they think they looked; they think that how they look is how they feel.
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