A Quote by Emily Post

The fact that slang is apt and forceful makes its use irresistibly tempting. Coarse or profane slang is beside the mark, but "flivver," "taxi," the "movies," "deadly" (meaning dull), "feeling fit," "feeling blue," "grafter," a "fake," "grouch," "hunch" and "right o!" are typical of words that it would make our spoken language stilted to exclude.
Slang is vigorous and apt. Probably most of our vital words were once slang.
I've found that there are only two kinds that are any good: slang that has established itself in the language, and slang that you make up yourself. Everything else is apt to be passe before it gets into print.
I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
There's an old little jingle: 'The chief use of slang is to show that you're one of the gang.' What that means is that every social group has its own linguistic bonding mechanism. If there's a group of lawyers, they have their own slang. If there's a group of doctors, they have their own slang, and so on.
In general, American slang is much better than English slang. The entire world picks up American slang.
I found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.
I boldly assert, in fact I think I know, that a lot of friendships and connections absolutely depend upon a sort of shared language, or slang. Not necessarily designed to exclude others, this can establish a certain comity and, even after a long absence, re-establish it in a second.
Try and write straight English; never using slang except in dialogue and then only when unavoidable. Because all slang goes sour in a short time. I only use swear words, for example, that have lasted at least a thousand years for fear of getting stuff that will be simply timely and then go sour.
It definitely sharpened my interest in language, the way people used language, slang words, speech patterns. There's a big advantage to being the outsider.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
I verily believe that the kingdom of God advances more on spoken words than it does on essays written and read; on words, that is, in which the present feeling and thought of the teaching mind break into natural and forceful expression.
I really like language - and slang in particular, and just the shorthand we use when we communicate with people.
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Hit records create slang, and if you create slang, you get into a broader conversation level.
Slang has always moved this way. From Cockney rhyming slang to codes swapped among highwaymen, they're tribal badges of identity, bonding mechanisms designed to distinguish the initiated, and to keep strangers out.
I found a great book called 'Slang Through the Ages' by Jonathon Green. It's basically a thesaurus of historical slang, and had lots of great old uses.
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