A Quote by Emily Procter
It was the first time, in the West Wing, I had ever read anyone write a Southerner properly. Because Southern women, in my opinion, are complicated and are equally feminine and driven. That's kind of an unusual combination and people usually tend to get it wrong.
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Anyone who has a simplistic idea about the Middle East, or about the conflict, doesn't get it - because there are no simple answers. And anyone who is messianic, in a right-wing way or a left-wing way, is wrong too. The way forward is a kind of cautious, commonsense approach - a cautious, humble hope. No fantasies.
In addition I wanted to write a Southern novel, because I'm a Southerner.
There's something about Southern women that is so unique yet so universal. Strong southern women are allowed to be soft and feminine and have a sense of humor. But what I love about Southern women in particular is their universality.
If we can get that realistic feminine morality working for us, if we can trust ourselves and so let women think and feel that an unwanted child or an oversize family is wrong -- not ethically wrong, not against the rules, but morally wrong, all wrong, wrong like a thalidomide birth, wrong like taking a wrong step that will break your neck -- if we can get feminine and human morality out from under the yoke of a dead ethic, then maybe we'll begin to get somewhere on the road that leads to survival.
What we're doing on 'The West Wing' is fictional. It's not a place to learn about politics or government. Has there ever been a fundraiser on 'The West Wing?' No. So right there, you're in Disneyland.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
I think people have a hard time dealing with a bunch of things at once. They can't have something be disturbing and funny at the same time. They can't have that kind of combination. Which is weird to me because I feel complicated about most things.
Working on The West Wing was similar in many ways to my experience on M*A*S*H, because you had people willing to work late at night to get it just right.
Michelle has had to grapple with Hilary Clinton's legacy as First Lady... Michelle Obama never wants to be seen as the kind of First Lady who is overly involved in the West Wing.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
I've always really loved big worlds and the kind of worldbuilding where you can open a portal into a new realm that feels full and complete. At the same time, I also really love history. So the combination of big worlds and history draws me directly into fantasy. Well, it should turn me towards historical fiction but I'm such a perfectionist about research that I'm not sure I could ever write a book in that genre properly. In fantasy, you have to have the same level of precision, but it's not as research-based. Plus, I get to write my little info sheets and draw my maps.
My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
At one point I had a very complicated plan to use the game of chess as a generating structure for writing. I prepared for a long time. I finally wrote two chapters and stopped. It was too complicated and too difficult to write. And who would've read it?
Nobody's ever asked me to pay for a meal before I've eaten it, I've never been pulled over just because I was driving the wrong kind of car in the wrong kind of area at the wrong time of night.
I guess at the age of 15 was the first time I made a goal of wanting to be on television, and I didn't get a series until I was 23, which was 'The West Wing.'
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