A Quote by Emily Procter
My house is very serious. It's a lot of antiques, and the way I decided to liven it up is, I paired it very vibrant colors and - bugs I think that they're pretty. And I think that they're fascinating and they're natural.
Related Quotes
My house is very serious. It's a lot of antiques, and the way I decided to liven it up is, I paired it very vibrant colors and - bugs... I think that they're pretty. And I think that they're fascinating and they're natural.
I'm possibly a very morbid person but I think about death a lot. I don't know if it's maybe from being on films that's often playing Harry [Potter] or I just think it's a natural thing that I have. It's something that I think about just because it's fascinating in a very alien kind of way.
I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.
I come from a very warm island, where colors are very important, very vibrant, and obviously the color has been an influence on my work.
I think the film and TV industry - the acting world - has a tendency to attract a lot of people for the wrong reasons; reasons that are less than artistic. It has a tendency to be pretty superficial, and pretty shallow and fake. I think what New Zealanders and Australians - and the English, I guess - have to offer is that we don't carry a lot of that baggage. We come over and we're pretty grounded. But on the flip side of that, you end up in a very unfamiliar environment being treated in a way that's a little bit surreal.
I definitely think New York is a very, very vibrant, wonderful city, but I certainly, of course, can't help but miss a lot of the stuff that's no longer there.
'24' is a pretty serious show - there isn't a lot of improv that is happening. Having said that, I do play around with the delivery. A lot of the humor comes from playing a character who is very furious and really up in her own brain and in a serious situation. That is humorous to me.
I think a lot of people think being in the kitchen is being really serious, and especially that baking is very serious, very straitlaced. For me, it's about figuring out your voice, finding your personality, and getting in the kitchen to explore.
Well, he's got a much bigger circus to play with, and he has a lot more financing available, and he has a lot more time available. I think that makes a huge difference. I think he instinctively knows how to make films and all the different ways that you can make stuff. He's very gadget-wise, and he's very smart about all the different things that are available to a filmmaker nowadays, and he makes very good use of them. He has a theater in his house, for God's sake. It has proper curtains on it and everything. It's pretty wild.
I think it's very pretty. Can it be pretty if no one thinks it's pretty? I think it's pretty. If you're the only one? That's pretty pretty. And what about the boys? Don't you want them to think you're pretty? I wouldn't want a boy to think I was pretty unless he was the kind of boy who thought I was pretty.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
A lot of people think that, as a person, Nawazuddin Siddiqui is very serious. However, he is very funny and witty. Once he opens up with you, he can be the funniest person around.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
I love colorful things. I think the world is so beautiful because of all the different colors. With my feed, I really like it to be a rainbow effect, very colorful and vibrant, and just showing happy moments.
I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.
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