A Quote by Emily Procter
It's funny, because I did all of these interviews as soon as I had the baby, and they were asking questions, and I really didn't have an idea of anything, because I was so blurry.
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I've done thousands of interviews in my life, and it's a format that I quite enjoy, because I think of questions in interviews as an opportunity to sort of gauge my growth in a way. It gives me an idea of how I'm navigating this world that I'm in.
You're not a Black man. You're a human being in God's eyes. So when you sit down to talk to someone and you talk to them in really intelligent terms, you ask difficult questions, there's a militancy that's assigned to you without you asking for it, because you are simply judged by what you look like. If you're a white person asking the same questions, you'd be one of these CNN guys and say how brilliant he is. That doesn't work for you, because this is the world we live in.
I really like questions. I like people who write scripts because they're asking questions, not because they're giving answers. It's something that I look for.
The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him.
We had got as far as this, when who should walk in but the gentleman himself, who had been drinking his beer in the taproom and had heard the whole conversation. Who was I? What did I want? What did I mean by asking questions? He had a fine flow of language, and his adjectives were very vigorous.
I'm not really good at asking people questions in interviews. I just try to have fun, to talk.
I have a really hard time writing my own lyrics for this record, because one, I had to write so many and also I was kind of perplexed by the idea of how I was going to sing and play... because at that time, we hadn't really thought about asking someone else.
I remember the first 'fan expo' we did for 'Killjoys,' we were so new, there wasn't a lot of information out yet. But there were so many fans so excited already. And they were asking really intellectual questions about the show.
I never challenged control of the band. Basically, all I did was start asking questions. There's an old adage in Hollywood amongst managers: 'Pay your acts enough money that they don't ask questions.' And I started asking questions.
I usually get involved in the interviews about the animators and the filmmaking in general, because I had a chance. I got to know, not only Marc Davis, but Frank Thomas, Artie Johnson, Ward Kimball, all these great animators, and just ask them all these questions about how they did certain things, what their trials and errors were, the ups and downs.
I think it's such a risky thing doing interviews. I try to limit the amount of interviews that I do because no one is that interesting especially when you're not really saying anything. And I don't particularly want to be an character in society or whatever.
When I was a young man, I didn't think about having a family. My wife and I were too poor to have babies. Then all of a sudden, one came along and scared the hell out of us because we had no money. Once the baby arrives, you make do somehow. You fall in love with the baby and life adjusts itself. You find you don't need as much money as you thought. When that happens, you can ask the questions that should have come before the baby.
If you don't put the spiritual and religious dimension into our political conversation, you won't be asking the really big and important question. If you don't bring in values and religion, you'll be asking superficial questions. What is life all about? What is our relationship to God? These are the important questions. What is our obligation to one another and community? If we don't ask those questions, the residual questions that we're asking aren't as interesting.
It's really easy to not be satisfied with your work, or people, or anything, but I really embrace the idea of not having to want [anything]. Not because you're denying yourself anything, but because it [everything] is already there.
I can't really speak to what it was like to call yourself a feminist in the past on a personal level but I think calling oneself a feminist in the past may have been inimical because feminists in the '70s were the first to really challenge deeply embedded gender roles and demand concrete political and economic rights. They were asking for rights that seemed like a direct threat to those in power - they were asking for equality in a society that didn't have it in an obvious way. They were put down and villainized because they were seen as threatening.
God, why do I give interviews to 'the Guardian'? They always try to dissect you, and I don't really think about stuff in the way that you're asking me these questions.
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