A Quote by Emily Procter
It's a reality that in this business there's an expectation of being thin. But having a baby is a reality too, and it's more important for me to make milk than to fit into those tiny pants. So that's just going to have to wait.
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So...I'm larking through the Baby Gap, looking at tiny capri pants and sweaters that cost more than ... I don't know,more than they should. And I get totally sucked in by this ridiculous, tiny fur coat. The kind of coat a baby might need to go to the ballet. In Moscow. In 1918. To match her tiny pearls.
I, the dreamer clinging yet to the dream as the patient clings to the last thin unbearable ecstatic instant of agony in order to sharpen the savor of the pain's surcease, waking into the reality, the more than reality, not to the unchanged and unaltered old time but into a time altered to fit the dream which, conjunctive with the dreamer, becomes immolated and apotheosized
If you're a global company you are going to have jobs overseas. The reality is if we start taxing those jobs at a rate that makes them noncompetitive in those markets, the reality is that we're going to lose business.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
For many women, going back to work a few months after having a baby is overwhelming and unmanageable. As strange as it may seem, things get even more difficult for a working mom after the second and third baby arrive. By that time, the romance of being a modern 'superwoman' wears off and reality sets in.
To wait. In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions all together occupy a bare one percent of our time. The remaining ninety-nine percent is just living in waiting. I wait in momentary expectation, feeling as though my breasts are being crushed, for the sound in the corridor of the footsteps of happiness. Empty. Oh, life is too painful, the reality that confirms the universal belief that it is best not to be born.
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
These new technologies try to make virtual reality more powerful than actual reality, which is the true accident. The day when virtual reality becomes more powerful than reality will be the day of the big accident. Mankind never experienced such an extraordinary accident.
As far as trying to make it terms of social hierarchy or status and all that in art and music - I've always felt that that stuff was bullshit. It's got very little to do with reality, and reality is where things live. You look at a painting and think, "Oh, it's beautiful. It inspires me," whatever. But it's never going to inspire you like reality. A lot of these artists and musicians who prioritize skill over experience, they sit around masturbating themselves over knowledge and intellect rather than just going to a place.
Inner reality is certainly more important than the outer reality.
The whole dream of having your own place is great, but the reality is having to cook and clean yourself and do the washing and make sure there's milk in the fridge. But you have to grow up some time.
There are some things more important than ourselves - more important than the limits of the present, and the whims of the now. There is a future to build and protect. And if we're going to make that future as reality, we have to stop fighting among ourselves. We have to end dissent whenever we find it. We have to trust one another again.
Rationalization is a process of not perceiving reality, but of attempting to make reality fit one’s emotions.
Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality. Buildings were judged more by the way they looked in magazines than by the satisfaction people felt when using them.
I learnt early that always being analytical is important for a business. Being analytical as an attitude is more important than just having the aptitude.
That's just me wanting that supernatural tool to tell a story and also not wanting to be restricted by reality, with how we're telling a tale, because we are a heightened reality on Hannibal. There is a larger-than-life quality to the storytelling when it gets into particulars. I like the idea of being able to dismiss reality, depending on if we can sell it as part of the story.
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