A Quote by Emily Thornberry

I don't think you negotiate with people by going around telling them that they're like Nazi guards or it's all about prosecco. — © Emily Thornberry
I don't think you negotiate with people by going around telling them that they're like Nazi guards or it's all about prosecco.
I don't think people talk about mental illness a lot, but they need to know it's OK to talk about how they are feeling. People are afraid of telling the truth because they think it's going to hurt everyone around them. I've kept so much inside that I've literally lost it. I wish more people would get help when they feel like they need it-- not just to look to medicine, but to the support of others.
We don't have a whole lot of people living hand-to-mouth in the Writers Guild, we get paid really well, and a lot of the things we fought for, in my case, I can negotiate. I can negotiate higher DVD rates or anything I want, it's not going to be a minimum basic agreement. But I do think it was important to stand up to them. I do think that we got things in the deal that we wouldn't have gotten had we not stood up to them.
You don't win elections by telling people what you're against. We're very good at listing things we don't much like about what the Tories are doing. But you win elections by telling them what you're for, what you're going to change, what's going to be better.
We're not going to negotiate about the terms of terrorism. You don't negotiate about terrorism. It's is wrong to engage in terrorism, and there isn't anything to negotiate.
I think business has to be stupider. I want to do really straightforward, stupid business - just talk to me like a 4-year-old. And I refuse to negotiate. I do not negotiate. I can collaborate. But I'm an artist, so as soon as you negotiate, you're being compromised.
I felt like that was an important thing for guards to trust the big fella when they give them the ball - that you can catch and finish. I think that's real big for the trust between you and your guards.
So many people are going to always remember what you do and how you make them feel instead of you telling them this and telling them that. That's why I like to go out and show the work ethic and how I am as a teammate. That's how you become great.
Every time you do something, people are going to like it, people are going to hate it. You tend to make the movies on the basis you are making them for the people who are going to like them and not worrying too much about people who don't like them.
When you start getting into your politics it's like you have to be vulnerable and you have to be sort of sensitive. Because if it's always like straight aggression all the time, there becomes no empathy for the stance that you're taking. You're not telling people to think, you're telling them what to think. And also you have to be honest with yourself on that, too.
I don't think it's my personality to be going around telling people what I'm doing.
If you're not mechanically in the community with people from the community trying to talk about our party, talk about school choice, talk about SBA loans for business owners - if someone's not there, nothing is going to change. You also need to have the tone ... people believe obviously you like them. If people don't think you like them, then they're not going to vote for you.
I think you're a product of your influences, your environment. You see guys with so much talent, but they got the wrong people around them telling them the wrong things. They wind up going down the wrong path.
Telling people at a dinner party you drive a Nissan Almera is like telling them you've got the Ebola virus and you're about to sneeze.
Here's the truth about telling stories with your life. It's going to sound like a great idea, and you're going to get excited about it, and then when it comes time to do the work, you're not going to want to do it. It's like that with writing books, and it's like that with life. People love to have lived a great story, but few people like the work it takes to make it happen. But joy costs pain.
I think it's just as viable a way of telling a story as anything else but for right now we like playing around with the new ways to do 3-D because I think it's only going to get better. I think that eventually we'll come home, we'll sit in our living room and there will be a little hologram that'll pop up and you'll watch these 3-D movies but you'll be able to walk around it.
I think a lot of L.A. is something like USC - this incredible white culture living in the midst of color, and no obvious reaction to it at all. I mean, they have guards at the gate at USC - guards at the gate of a major university! And the guards chase young black boys away - I've seen it, chasing 8-year-old boys.
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