A Quote by Emily V. Gordon

I thought of 'The Big Sick' as a placeholder title, to be completely honest. I've grown to love it. — © Emily V. Gordon
I thought of 'The Big Sick' as a placeholder title, to be completely honest. I've grown to love it.
There are people accusing me that I'm sick, that I'm a danger to morals, western civilization and basically everything under the sun. And they've got these wild stories about me, completely off the wall, completely untrue. They thought them up and it makes you wonder what goes on in their brain, but of course, they don't consider themselves sick. They think they're normal because they don't dress like I do.
Back when we won the 170-pound title, I knew we were going to go back and get the 155-pound title but the 145-pound title wasn't even a thought in the mind. We would have had that title already if it was around.
In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story.
The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me.
Whether it's the NXT title or the United States title or the Intercontinental title or the World title, if I have that title, then that's the most important one.
No you sick, stupid creep, I love you. I shouldn't. I shouldn't. You're sick inside, Caine, sick! But I love you. - Diana
I never thought that I could make a living out of my voice, to be completely honest. I thought that I could probably keep playing pubs. And it was exciting for me to get even just a pub gig in my town or country, when I went to university.
I had grown a thin mustache, I was a full-grown man, and yet I was completely helpless and without a goal in life.
Be completely honest - have you ever met someone who you thought was truly clever or interesting or witty who wore fawn?
I had thought up the title, 'The Good Luck of Right Now,' several years ago. I had no idea what it meant or what the book would be about but I thought, 'Someday I'm going to write a book with that title.'
The title's so upfront. It gives fair warning about the play's content. I'm writing about a kind of disenchantment, an anger, but quite a cool 90's anger, at a time when we're not very good at openly being angry. . . . I don't think I ever thought the title was titillating. I thought it was incredibly catchy. If the play is about the reduction in human relations down to a consumerist rationale, then thematically, the title is entirely linked into the thesis of the play.
I'm going to get paid the most if I fight for a title or hold a title. That's when all of the big opportunities come.
To be completely honest, I never thought I could become a model growing up. I actually wanted to be an entertainment journalist.
It's only my second Masters, and I definitely jumped into that scene a little faster than I thought I would, to be completely honest.
The thing is, in the WWE, we have the WWE title, the World title, the United States title, the Intercontinental title, the Divas title, the Tag Team titles. And I feel like, in this business, when Mr. Perfect had that Intercontinental title, that was the belt we saw as the stepping stone to becoming 'the man.' The franchise of the WWE.
Most writers flinch at the thought of being completely honest about themselves. So absolute honesty is what marks the true modern.
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