A Quote by Eminem

When you're a little kid, you don't see color, and the fact that my friends were black never crossed my mind. It never became an issue until I was a teenager and started trying to rap.
I've never thought that I would see any man of color, not just a black president, but any man of color, I never thought that I would live to see that. I thought maybe my grandchildren would, but I never thought I would. So when Barack Obama first started to run I was like, "I've never heard of this guy - he probably doesn't have a shot." But then he started picking up steam and that piqued my interest.
I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
Let's start with the black glove. We felt it necessary being the fact that the Olympic Games, for the first time ever [in 1968], had been televised worldwide. The second thing is the fact that it was in Technicolor. Never had the games been shown in color before.We wanted it to be understood that we were representing America, but we were representing Black America in particular, so that's why we put the black glove on.
Playing a woman in the tech world never crossed my mind as a thing until people started bringing it up all time. People act like it's unicorns speaking English all of a sudden.
I liked writing with my friends and making our own little stories. Making a movie like 'Spider-Man' never even crossed my mind.
I take every role seriously. Personally, I never look at any role as Michael White. I've done that my entire life. I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
Don't you know how much I hero-worshiped you when I was a kid? You were Marie Curie crossed with Emily Bronte crossed with Joan of Arc to me when I was ten. And when i told you that, you said my cultural references were the sign of a colonized mind.
I started writing songs when I was 10. It was a natural way to express myself as a kid. It wasn't until I started listening to jazz, joined the choir and picked up a guitar that my little hobby became something far more serious.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
When I was a little kid, if somebody said they were thirty-five, I'd say "Oooh, they're going to die soon". But as I get older it doesn't mean a thing. You mustn't ever give in. Never give in to thinking you're old, because you're never old. Your mind, and I tell you this and listen to me carefully, your mind is never, ever old, it's eternally young.
I'm to trying to say I'm something I'm not. Black people understand that. I'm just doing my raps, my way. Rap is black. I recognize that and respect that. I'm just a white guy trying to rap, and I got lucky.
I realized I was a girl playing with all of these great musicians, but race and gender never did cross my mind, really, until other people started talking about them. They weren't really an issue for me.
When Ozzie Virgil became the first Dominican player in the majors, his nationality was barely noticed. What the press and fans talked about was his skin color. He was the first black player on the Detroit Tigers, and a great deal of attention was paid to him as someone who crossed the color line.
Black people didn't start coming to see me until 1982. I'd just started doing Delbert, and suddenly my world changed. I started doing black-centred characters that were about people I knew in the community.
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