A Quote by Emma Chamberlain
When something's really significant, whether it's good, bad, ugly, I like being able to look back at a moment in time that was high-emotion. Whenever I'm crying I like, weirdly, to document it.
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The only moment football really stops is with a penalty kick - and that is a moment that is really dramatic. A penalty kick becomes a Western duel. It's two guys facing each other. Destiny and potential death, whether metaphorical or literal. That's why in the penalty kick at the end of the film, I shot it like an homage to the Sergio Leone Westerns I saw when I was a kid, especially The Good, The Bad And The Ugly.
I just am a believer...that there are some things that happen for a reason...We may not be able to really discern it now...[but] given the perspective of time, I think we're going to be able to look back at this, and what seemed really bad at the time may turn out to be really good.
Whenever I'm stressed out or having a bad day, the one thing that gets me happy or back into like a good place of mind is being on the golf course. I love being out there, especially really early in the morning getting the first tee time out and just playing by myself. It's so peaceful.
These days I have to be extra nice in stores. It never fails that whenever I look as bad as I can possibly look or I am sort of cranky because the store is out of something, that is precisely the time when someone one will recognize me and say: 'I really like your show.'
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
There has to be a moment at the beginning where you wonder whether you’re in love with the person or in love with the feeling of love itself. If the moment doesn’t pass, that’s it—you’re done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it’s even there when you thought you were searching for something else, like an escape route, or your lovers’ face.
A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for. Maybe you should be trying to come up with something that will really become associated with a moment in time, a few weeks, that happened, period. Then you look back, think about it and connect it with that time. It may look dated later but it will be still be evocative.
I feel like I've had very few bad experiences but even those I look back on and really feel like if it weren't for them, I wouldn't be where I am. I look back on them all the time and constantly feel like I owe it to the other projects that I've made that have gotten me to where I am.
Particularly in these high school-set movies, there's something about being in high school that's like a cauldron, a boiling pot of emotion and joy and heartbreak that you feel so intensely. Because you don't have any awareness yet, you don't realize that it's a finite time and feeling.
But there were other, vaguer, harder-to-pin-down feelings, like: a pit in the stomach that means something is either really good or really bad or both. A feeling of being old and young at once. A sense of beginnings and endings happening at the same time. A certainty that your life is changing, but an uncertainty about how it's changing and whether you want it to.
It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It's never occurred to me before; I've never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
You look back and you remember the good, the bad and the ugly
You look back and you remember the good, the bad and the ugly.
I love making people laugh and feel good, and that's awesome and special for me to be able to do that, but there really is nothing like kicking ass whether it's on a major scale, or whether it's in more of a dramatic fashion. Being physical and taking care of business the old-fashioned way is something that I love doing.
I was really embarrassed. And I asked why they took my picture when I was in such agony, and I'm the girl, in the moment that I was naked, burning, hopeless, crying - so ugly. And I asked why they took my picture at that that moment? I didn't like it at all.
I'm really enjoying being able to do these unhinged comedies and emotional dramas alike. I'm having a lovely time. After shooting a role that requires months of crying, it's quite nice to be able to play something very different.
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