A Quote by Emma Corrin

Every rejection, every phone call from my agent to say, 'It didn't go your way,' I felt the layers of my skin growing. 'OK, cool, let's move on.' You have to get beyond the fear of rejection and plow on because it's intense.
I've got a folder full of rejection slips that I keep. Know why? Because those same editors are now calling my agent hoping I'll write a book or novella for them. Things change. A rejection slip today might mean a frantic call to your agent in six months.
It is not rejection itself that people fear, it is the possible consequences of rejection. Preparing to accept those consequences and viewing rejection as a learning experience that will bring you closer to success, will not only help you to conquer the fear of rejection, but help you to appreciate rejection itself.
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
There are no real successes without rejection. The more rejection you get, the better you are, the more you've learned, the closer you are to your outcome... If you can handle rejection, you'll learn to get everything you want.
Only do it if you absolutely have to, because you are gonna eat rejection every single day. And it's not easy eating that rejection every single day because it hurts. You have to learn not to take it personally. And that is a very hard lesson to learn.
I'm tempted to say that the top three reasons for hopelessness are rejection, rejection, rejection. But let's cast our net wider. 1) Not being able to write as well as we hoped we could. 2) Not being able to write at all. 3) Rejection.
I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt- and there is the story of mankind.
I mean normally you have your agent call the other agent and all the agents talk and then finally you get a phone call and you hear some misrepresentation of what someone else had to say.
I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.
Refuse to let the fear of rejection hold you back. Remember, rejection is never personal.
I've had a lot of failures as well and rejection. As actor, it's actually mostly rejection but people think it's mostly success because they only see your successes - the films that get made.
Rejection-and the fear of rejection-is the biggest impediment we face to choosing ourselves.
I've had those periods in my career when I was sitting around waiting for a phone call and had an agent who was doing the same thing rather than going out there to shake the bushes looking for a job for me. It's a frustrating game, that's the downside of this business - the rejection.
A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.
Every rejection is incremental payment on your dues that in some way will be translated back into your work.
I think every opportunity, every disappointment, every rejection, every accolade... everything has contributed in shaping my character and my choices and who I have become.
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