A Quote by Emma Corrin

I never looked up what a Midwestern accent was; I just did a very generic one. — © Emma Corrin
I never looked up what a Midwestern accent was; I just did a very generic one.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
I've done some version of that Minnesota accent - that Midwestern accent - in sketch comedy for years. It's the quickest way to symbolize you're a mom.
The Australian accent just a very lovely accent and it doesn't have the pretention maybe of an English accent, but yet seems a little bit more exotic than an American.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
My accent has changed my whole life. When I was younger, it was very Nigerian, then when we went to England, it was very British. I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
I learned to change my accent; in England, your accent identifies you very strongly with a class, and I did not want to be held back.
People say there's no trace of an accent anymore, and there isn't because I worked very hard to lose it. And the reason I did that is a British accent in America is a real status symbol.
Lots of people have expressed consternation that I haven't gotten rid of Southern accent, but I just never saw any reason to lose the flavor that I grew up with. I enjoy saying some things with a Southern accent.
In the South we experienced, you know, some black kids who gave us a hard time because - cause 'you talk white.' We didn't talk white. We talked fairly proper. Plus, we had a Midwestern accent, so we didn't have a Southern accent, either. So it wasn't really talking white; it was talking different.
'Chels-emojis' are in the works. I use emojis heavily in life, and I think a lot of people do. There are a number that are frustratingly absent - you know how there's kind of a generic white man and a generic white woman? I just want to put a generic black man and a generic black woman.
I keep forgetting I'm speaking in an American accent sometimes. The dangerous thing is that you end up forgetting what your real accent is after a while! It's really strange; I've never done a job in an American accent before.
I never looked at being second banana to anybody, I never felt that way, ever. If other people did, that's the way they looked at it, but I never did.
I never did standup before. It just looked like it was really hard, looked like there was like up days and down days - and I'm too emotionally unstable for that. I need to always be funny and always be loved.
I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.
The people of those foreign countries are very, very ignorant. They looked curiously at the costumes we had brought from the wilds of America. They observed that we talked loudly at table sometimes. They noticed that we looked out for expenses and got what we conveniently could out of a franc, and wondered where in the mischief we came from. In Paris they just simply opened their eyes and stared when we spoke to them in French! We never did succeed in making those idiots understand their own language.
I did use my own accent in a play once. It's a very freeing, liberating experience. Actors are often asked to adopt a different accent, and sometimes a different voice, so when that's taken away and you don't have to think about it, that's a lovely thing.
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