A Quote by Emma Corrin
Just because I've played this character doesn't mean I have any understanding of what Diana was like, at all. Although I'd want to say she was incredible, I understand I also have no authority to say that.
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You can't understand old Diana - older Diana - properly without understanding a 19-year-old living with her flatmates, going on her first date with Charles. You need to understand the trajectory that she underwent.
I don't understand when people say character actors. You either have the protagonist or the antagonist and I've played both. It's an actor's role to play a character. Does that mean that main stream heroes and heroines are characterless?
"Aren't you frightened?" Somehow I expected her to say no, to say something wise like a grownup would, or to explain that we can't presume to understand the Lord's plan. She looked away. "Yes," she finally said, "I'm frightened all the time." "Then why don't you act like it?" "I do. I just do it in private." "Because you don't trust me?" "No," she said, "because I know you're frightened, too."
Come live with us, Diana. Don't argue. Just say yes." Diana looked at the ground to hide her emotions. Then she said, "Would I have to be hearing you two going at it night and day?
The most common thing that real reporters say to me is, "I wish I could say what you say." What I don't understand is, why can't they say what I say, even in their own way? Does that mean they want to be able to name certain bald contradictions or hypocrisies that politicians have?
Transcendentalism is, we might say, an early form of anarchism. The Transcendentalists also did not call themselves anarchists, but there are anarchist ideas in their thinking and in their literature. They were all suspicious of authority. We might say that the Transcendentalism played a role in creating an atmosphere of skepticism towards authority, towards government.
I don't personally do that many castings. But I did get involved in "The Bad Batch," because we couldn't think of an actress that was a 3-D embodiment of the character. But when I saw Suki Waterhouse on tape, I knew she was 'it.' And I can't describe that any more than to say that I never had to really express to her the the ideas that were on the page, she just instinctively embraced it. She was Arlen, and I didn't want to f**k it up. Her instinct was just it.
I love you, Eliza,” I said. She thought about it. “No,” she said at last, “I don’t like it.” “Why not?” I said. “It’s as though you were pointing a gun at my head,” she said. “It’s just a way of getting somebody to say something they probably don’t mean. What else can I say, or anybody say, but, ‘I love you, too’?
Legislative language is governed by a law of etymology that is also the ancient code of the bureaucracy: It doesn't have to be right, it just has to be close enough for government work. If they understand what you mean, it doesn't matter what you say or how you say it.
Jean-Luc didn't like me to say any bad words in real life, and I would always do it on purpose, just for fun. And he would go crazy! Then he had Brigitte Bardot do just that in 'Contempt.' And in that film she also has this line - 'I want red velvet curtains, or nothing at all in the apartment' - which was something I would always say.
Poets do not compose their poems with knowledge, but by some inborn talent and by inspiration, like seers and prophets who also say many fine things without any understanding of what they say.
When you're young your mother shields you from the world because she thinks you're too young to understand, and when she's old you shield her because she's too old to understand - or to have any more understanding inflicted upon her. The curve of life goes: want to know, know, don't want to know.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
I soon realized that poets do not compose their poems with knowledge, but by some inborn talent and by inspiration, like seers and prophets who also say many fine things without any understanding of what they say.
The parents say, 'Can you talk to my daughter and say that it's OK? That she can have muscles?' They'll say, 'I show her pictures of you so they can know she's good at what she does but still looks like a girl. She wears dresses.' It releases people to be whoever they want to be in the sport.
Mary J. Blige is the Queen Latifah character. Her voice in this movie [Rock of ages] is, she just gives it this incredible warmth, and she's just this person who blows out of the screen. She's just incredible.
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