A Quote by Emma Corrin

I realized this is a character that I'm playing. This is 'The Crown's' version of Diana. I can bring a lot of what I want to do with this part. — © Emma Corrin
I realized this is a character that I'm playing. This is 'The Crown's' version of Diana. I can bring a lot of what I want to do with this part.
If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.
Acting was definitely half of what I loved about storytelling and about theater. So, when I get a chance to do a cameo in a show or do a movie, it's a lot of fun and it's always great stepping outside of yourself and either playing a bizarro version of yourself or playing a character.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
This is a corny actor thing to say, but the first step is that you can't judge the character that you're playing. If it's built in three-dimensional fashion, you'll just play a character who's going out and seeking the best version of their life that they can find. That gives the character an accessibility that everyone can identify with.
I remember being on holiday with my family maybe when the second season of 'The Crown' had come out and I remember them joking about who was going to play Princess Diana. One of my brothers was like, 'You should play Princess Diana.' I was at university at that time and I was like, 'In my wildest dreams.'
When you have a lot of people playing different characters, you need to do justice to every character and bring meaning to their presence in the script.
But it was this tough little character part that I was playing, a very funny little guy that I invented over a weekend, because I realized I was not contributing to the humor of this thing. And I had to do something.
You don't realize how much a part of your character is part of yourself until you are no longer playing that character.
My dad was into jazz, so there was a lot of Thelonious Monk and Duke Ellington playing in the house, but also a lot of soul, such as Aretha Franklin and Ella Fitzgerald, while my mum liked Prince and Diana Ross.
I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.
The Roman goddess Diana, you know, is usually shown with a bow and arrow. Every first-year Latin student knows that. I still remember the first simple sentence I learned in Latin 'Diana sagittas por tas... Diana carries the arrows.' That helped get me interested in archery as a teenager and I'm still into it a lot.
When you act, you're always playing a version of yourself. You can't bring more to the role than what you are.
When you act, you're always playing a version of yourself. You can't bring more to the role than what you are
Playing Etta James in the movie 'Cadillac Records' really changed me. It was a darker character, and I realized that if anything is too comfortable, I want to run from it. It's no fun being safe.
When you're playing a romantic version of a real person, you're playing a version of the truth.
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