A Quote by Emma Donoghue

I think ultimately the film 'Room' is a kind of hymn to motherhood and to the everyday heroism of parents who find their smiles in terrible times. — © Emma Donoghue
I think ultimately the film 'Room' is a kind of hymn to motherhood and to the everyday heroism of parents who find their smiles in terrible times.
It's Steven's [Sebring] view of what he saw in traveling and working with me. But on another scale, I think the film [Dream of Life] is very humanistic: It touches on motherhood, death, birth, art, laundry, anger against the Bush administration... While I don't think it's the kind of film where one goes to find some of the darker, edgier aspects of life, the film was born of grief.
I think men and women are the same. Even as parents, I think we're the same. We're just conditioned to think that we're different. Having said that, it's true that motherhood is a particularly vulnerable area. It's an open wound, really. A woman is exposed to being turned into a different kind of person by the experience of motherhood.
It's a terrible cruelty of predatory capitalism: both parents now have to work. A family has to have two incomes in order to buy the things that are desirable in our culture. So the degradation of motherhood - the sense that motherhood isn't itself a calling - also arises from economic pressure.
You can find heroism everyday, like guys working terrible jobs because they've got to support their families. Or as far as humor, the things I see on the job, on the street, are far funnier than anything you'll ever see on TV.
Few of us will do the spectacular deeds of heroism that spread themselves across the pages of our newspapers in big black headlines. But we can all be heroic in the little things of everyday life. We can do the helpful things, say the kind words, meet our difficulties with courage and high hearts, stand up for the right when the cost is high, keep our word even though it means sacrifice, be a giver instead of a destroyer. Often this quiet, humble heroism is the greatest heroism of all.
Soccer was the first sport that my parents put me in, and ultimately, all the parents kind of came over to my mom and were, 'We think Channing would be better at football.... We love him, he's really great, but he's kind of hurting our children.' I was just a little wild.
We are the planet, fully as much as water, earth, fire and air are the planet, and if the planet survives, it will only be through heroism. Not occasional heroism, a remarkable instance of it here and there, but constant heroism, systematic heroism, heroism as governing principle.
You develop a third eye where you kind of know where they are in a room at all times but no matter how vigilant you are as a parent, at some point, you'll look around a room and can't find them and there's a searing pain that goes through your body.
It kind of sounds pretentious, but a film I find deeply romantic is 'Buffalo '66,' which is a film by Vincent Gallo. It's about how you break down all those barriers and expose yourself and open yourself up to ultimately being hurt.
I talk to my parents everyday and every move that I make, every endorsement that I do, every film that I do and my everyday activities are all discussed with them.
I have walked away from friendships when I've realized that someone smiles to someone's face and talks about them the minute they walk out of a room. I have no room in my life for that kind of negative energy anymore.
I sing the hymn of the conquered, who fell in the Battle of Life,-The hymn of the wounded, the beaten, who died overwhelmed in the strife....The hymn of the low and the humble, the weary, the broken in heart,Who strove and who failed, acting bravely a silent and desperate part.
One of the jobs of a writer is to add nuance and ambiguity to that straight line that people often draw to very specific kinds of heroism. Most of us don't get to be Snooki. For most of us heroism has to be in our everyday lives.
That's the process of making the film and it isn't until the world puts their eyes to it that you find out if it's creating any kind of connection at all. But every single film at some stage of the film I think, "I wonder what this is going to be?"
It's really hard to find things that are worth leaving them for. [Balancing work and motherhood is] really hard. One night in Nashville, my son was screaming with a terrible stomachache. I was like, 'I have to get out of here!' but we had to finish. My friend Jenno, a mother of three who was producing, was great, reminding me that nine times out of 10, they just have gas.
Well, my thoughts about California are kind of mythological. To me, as well as being a real place, it's a place where people go to find something - to find happiness or to realize their dreams. So it has that kind of quality of heroism and heartache, and Australia has that, as well.
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