A Quote by Emma Donoghue
I think about Old Nick carrying me into the truck, I'm dizzy like I'm going to fall down. "Scared is what you're feeling," says Ma, "but brave is what you're doing." "Huh?" "Scaredybrave." "Scave." Word sandwiches always make her laugh but I wasn't being funny.
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I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
You think you're funny! You think you're funny Cena, huh? The only pose you're going to be doing tonight is lying on your back with me on top!
You must be Pain in the Nick.” – Dev “Huh?” – Nick “Don’t wet your pets. Just a figure of speech. Your mom’s been talking about you all day, boy. You are her favorite topic.” – Dev “Well, I try hard not to be her favorite hemorrhoid.” – Nick
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'
Well, Ma, see... there's this girl." Silence. He checked to make sure the call hadn't been dropped. "You still there, Ma?" A sniffle. "You can't be crying already," he said. "I haven't told you anything about her yet." "It doesn't matter, Nick," his mother said through her tears. "Those are the three words I've been waiting thirty-four years to hear.
My daddy always said being brave wasn’t not being scared. Being brave was keeping going when you were.
Sometimes just being an immigrant, I read things the wrong way, and that can be funny. Or I'll put the emphasis on the wrong word, and that can be funny. I have an affinity for comedy because I like to watch them. It's an honor to make comedies because I love being able to pop something into the DVD player and laugh. I love doing it.
It's interesting how we often can't see the ways in which we are being strong - like, you can't be aware of what you're doing that's tough and brave at the time that you're doing it because if you knew that it was brave, then you'd be scared.
Being brave doesn't mean you aren't scared. Being brave means you are scared, really scared, badly scared, and you do the right thing anyway.
I think what it is is, if you're in school and you're not that bright or good-looking or popular or whatever, and one day you say something and someone laughs, well, you sort of grab onto it, don't you? You think, well I run funny and I've got this stupid big face and big thighs and no-one fancies me, but at least I can make people laugh. And it's such a nice feeling, making someone laugh, that maybe you get a bit reliant on it. Like, if you;re not funny then you're not...anything
If you want to make an audience laugh, you dress a man up like an old lady and push her down the stairs. If you want to make comedy writers laugh, you push an actual old lady down the stairs.
And suddenly I realize that although I've never thought about being in love with Nick before, all the right ingredients are there. I fancy him. I like him. He's my friend. He makes me laugh. I love being with him. And I start to feel all sort of warm and glowy, and screw the other stuff. Screw the stuff about him having no money, and living in a bedsit, and not being what I thought I wanted. I'm just going to go with this and see where it ends up. I mean, no one says I have to marry the guy, for God's sake.
Someone trying to be funny probably isn't as funny as someone who doesn't want to be funny but is and can't help it. Someone being serious or angry might be funny. If you get angry, the first thing I want to do is laugh because I don't know why you're getting that angry. Pathos makes me laugh, funerals make me laugh.
It's funny. I competed against a 13-year old girl at the Winter X Games. I looked down at her birth date and it said 2000. I was like, "Huh, I wonder if she even knows what Y2K is?" But I guess I've just been able to build a foundation.
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