A Quote by Emma Donoghue
Ah yes, the paradox of publicity is that even as we do it, we know it's killing off the chance of another reader happening across our book in the ideal state of innocence.
Related Quotes
The paradox of publicity is that even as we do it, we know it's killing off the chance of another reader happening across our book in the ideal state of innocence.
It is in the translation that the innocence lost after the first reading is restored under another guise, since the reader is once again faced with a new text and its attendant mystery. That is the inescapable paradox of translation, and also its wealth.
If you don’t want to cry about the state of the economy, why not laugh instead? This book is an ideal introduction to the subject for anybody who thinks they ought to understand what’s happening around them but is put off by the usual dense text and economics jargon.
My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
My ideal reader is me. And yes, my ideal reader comes with me and is forgiving.
In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.
History shows that when any state intends to make war against another state, even not adjacent, it begins to seek for frontiers across which it can reach the frontiers of the state it wants to attack. Usually, the aggressive state finds such frontiers.
I know something about killing. I don't like killing. And I don't think a state honors life by turning around and sanctioning killing.
History shows that when a state is intent upon making war against another state, even though not adjacent, it begins to seek frontiers across which it could reach the frontiers of the state which it desires to attack. Usually, the aggressive state finds that frontier.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
I do need publicity but not for what I do for good. I need publicity for my book. I need publicity for my fights. I need publicity for my movie but not for helping people. Then it is no longer sincere.
A bus came. The soldier turned away from her and walked toward it. Tatiana watched him. Even his walk was from another world; the step was too sure, the stride too long, yet somehow it all seemed right, looked right, felt right. It was like stumbling on a book you thought you had lost. Ah, yes, there it is.
I tended to give a book a chance and another chance and another, sometimes seeing it all the way to the end, still hoping for for it turn out different. Maybe I was confused about what you owed a book. What you owed people, for that matter, real or fictional.
Enthusiasm is that secret and harmonious spirit which hovers over the production of genius, throwing the reader of a book, or the spectator of a statue, into the very ideal presence whence these works have really originated. A great work always leaves us in a state of musing.
The ideal, it seems to me, is to show things happening and allow the reader to decide what they mean.
Innocence ain’t all it’s cracked up to be, you know. Innocent little kids rip the wings off flies, because they don’t know any better. That’s innocence
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