A Quote by Emma Dumont
I was on a TV show about dancers for two and a half seasons called 'Bunheads' on ABC Family, and that was really fun for me because I'm a dancer in a real life.
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I've only done two other TV shows [instead of Sex&Drugs&Rock&Roll], one was Rescue Me and the other was a show called The Job, which was at ABC and only on for two seasons.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
When World of Dance came around, what I really liked about it was it's from dancers for dancers. For me growing up as a dancer and becoming an actress, Jennifer Lopez really was this icon in that world to me.
After we did [All In The Family], that ended up being a real love fest all around. Me and Norman, Norman [Lear] and me, Rob Reiner, everybody liked everybody. So about six or seven months later I moved out to L.A. and I got a call that Norman wanted to see me. I came in and he said "ABC has given me a property that they just optioned to make into a TV series. It's from a play called Hot L Baltimore, and I want you to be in it."
Evolved? As a dancer? Me? I don’t fall down as much, unless it’s part of the scripted dance. I don’t step on other people’s toes anymore. I think if I started the show a one out of ten dancer, now I am a two and a half.
My favorite show of my father Aaron Spelling is probably a show that was his favorite and that was a show called Family. He was the most proud of that show because, you know, my dad kind of got a bad wrap, I think. A lot of times people would say oh he just makes jiggle TV and it's all for entertainment purposes. But he did some really amazing shows as well that he was really proud of, that people kind overlooked. And Family was one of them.
I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.
I did a TV show that didn't last on ABC called 'The Zero Hour,' and my character was working at a magazine.
'Grey Gardens' consumed my life for over two and a half years. It really takes its toll on the family. I'm not there to tuck them in, help them with homework and eat dinner with them. When I work on a show, I only have about 20 minutes a day with my family.
Shake It Up is a buddy comedy based around dance. It's about two best friends Rocky and CeCe who live out their dream as background dancers on a show called Shake It Up Chicago. They have to navigate life as young teens going to school and dancing on the show.
I have an appearance on a new TV show called 'Bar Karma' on Current TV. I had the most fun ever making this episode. I play someone with a multiple personality, and I think my fans will be surprised and get a real giggle out of it. It's a new model for TV in that it is interactive with the community.
I had a career before the Stern show, on Mad TV. I was on the first two seasons of that and I got kicked off it because of possession of cocaine.
I don't know if people really know, when you shoot a TV show like you're really family and it really works, it's because it seems real to everybody, even to us. We were all so very close.
My very first job was working on a TV show that was a prestigious TV show and well done - was called 'Family.'
People who got on their feet and freaked about were called idiot dancers. and nobody wants to be called an idiot dancer. But the whole idea of rock and roll is to get people off their arses - that's what it's about.
On a TV show, for instance, dancers have to be paid for a week and a half rehearsal time. So unless they're vital to a production, they're just not used.
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