A Quote by Emma Forrest

I do think everything that happens in American pop culture sort of prescribes for England and does end up happening there six months later, maybe a year. — © Emma Forrest
I do think everything that happens in American pop culture sort of prescribes for England and does end up happening there six months later, maybe a year.
By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.
I grew up on American pop culture so everything that I fantasized about to get out of this sort of humdrum world of Bradford was about America. So when we decided to move there I was on the plane.
Months are different in college, especially freshman year. Too much happens. Every freshman month equals six regular months—they're like dog months.
I was in Congress for six months, and they put me on blood pressure medication. I flew helicopters in combat and I was fine, and I survived 13 months in recovery in the hospital... I got to Congress, and six months later I'm on blood pressure medication. Fourteen months later, they doubled the dosage!
Sports teaches you there is always a second innings in life. If you fail today, there's a second innings maybe two days later. Maybe there's another opportunity coming up three or six months later. If you look at mistake as learnings and commit never to make a same mistake again, then you actually get better with every mistake that you make.
Sports teaches you there is always a second innings in life. If you fail today, theres a second innings maybe two days later. Maybe theres another opportunity coming up three or six months later. If you look at mistake as learnings and commit never to make a same mistake again, then you actually get better with every mistake that you make.
You don't lock into a ten-year family budget. You take it a year at a time - maybe even six months at a time. And then if the income really comes in the way you hope it does, then you can make some of those expenditures that you've been waiting to make. We think that same principle should apply to the national family we call America.
Since we launched the original 'Pop Idol' in England, I've remained close with Simon Fuller. Working as executive producer on 'American idol' for its first seven years not only was an inspirational journey into the heart of American pop culture, it opened my eyes to the untapped potential of the incredibly dynamic young people in this world.
I think there's the apparent lack of subtlety and sort of make-believe anti-sensibility connected with American art. I think this is a style, and it does relate to our culture, and I think it would be anachronistic maybe to pretend to be involved with subtle changes and modulations and things like that, because it's really not part of America.
When I finish something, I want it out that day. Pop music is like the daily paper. Its got to be there then, not six months later.
I divide my time between homes in Arizona and England, six months a year in each place.
None of it seems real. Who knows? Maybe it isn’t. Maybe it’s actually happening to someone else. Maybe it’s something I imagined. Maybe soon I’m going to wake up and find everything fixed with Lissa and Dimitri. We’ll all be together, and he’ll be there to smile and hold me and tell me everything ‘s going to be okay. Maybe all of this really has been a dream. But I don’t think so.
My aunt made stuff; my mom was creative, so I was surrounded by that. When I moved to England, it was '75, and everything was happening. My whole teenage life is England, glam rock and David Bowie and Sex Pistols and Iggy Pop, all that stuff.
I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'
Because I stopped dieting already six months ago, and I think it's important to bring out a book like this and you are there a year later and say look, I'm still like this.
Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic.
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