A Quote by Emma Goldman
It is a tragedy, I feel, that people of a different sexual type are caught in a world which shows so little understanding for homosexuals and is so crassly indifferent to the various gradations and variations of gender and their great significance in life.
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I regard it as a tragedy that people of a differing sexual orientation find themselves proscribed in a world that has so little understanding for homosexuals and that displays such gross indifference for sexual gradations and variations and the great significance they have for living. It is completely foreign to me to wish to regard such people as less valuable, less moral, incapable of noble sentiments and behavior.
Don't misunderstand. I am not here bashing people who are homosexuals, who are lesbians, who are bisexual, who are transgender. We need to have profound compassion for people who are dealing with the very real issue of sexual dysfunction in their life and sexual identity disorders.
We don't have a clue what it is to be male or female, or if there are intermediate genders. Male and female might be fields which overlap into androgyny or different kinds of sexual desires. But because we live in a Western, patriarchal world, we have very little chance of exploring these gender possibilities.
The circumstances with which every thing in this world is begirt, give every thing in this world its size and shape;--and by tightening it, or relaxing it, this way or that, make the thing to be, what it is--great--little--good--bad--indifferent or not indifferent, just as the case happens.
I confused gender identity with sexual orientation. Your gender identity is about who you are, how you feel, the sex that you feel yourself to be. Sexual orientation is who you're attracted to.
Diversity is just 'the world.' It's different cultures, different backgrounds, different ethnicities, different religions, genders, sexual orientation, shapes, sizes. That is the world, but we call it 'diversity' because there is this one type that has always been accepted in the media, and it's finally starting to change.
There's many kinds of kundalini, just as there's a spectrum of light. Put light through a prism and you get different gradations. So there are different gradations of kundalini. Some gradations of kundalini are darker, some are lighter.
Every glass thermometer has subtle variations in the size and shape of the bulb at the bottom and the capillary tube inside, as well as variations in the width of gradations on the side. The compounded effect of these uncertainties is that each thermometer reads temperature slightly differently.
Whereas happiness is the highest good, being a realization and perfect practice of virtue, which some can attain, while others have little or none of it, the various qualities of men are clearly the reason why there are various kinds of states and many forms of government; for different men seek after happiness in different ways and by different means, and so make for themselves different modes of life and forms of government.
It would be easier for people to grasp that gender, sex, and sexual orientation are different things if we had as much imagination in real life as we do when we are making our movies.
When I go to a great movie, I can live somebody else's life a little bit for a while. I can walk in somebody else's shoes. I can see what it feels like to be a member of a different gender, a different race, a different economic class, to live in a different time, to have a different belief.
One could construe the life of man as a great discourse in which the various people represent different parts of speech (the same might apply to states).
We know less about the sexual life of little girls than of boys. But we need not feel ashamed of this distinction; after all, the sexual life of adult women is a 'dark continent' for psychology.
To write tragedy, a man must feel tragedy. To feel tragedy, a man must be aware of the world in which he lives. Not only with his mind, but with his blood and sinews.
I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.
Wherever I live, I shall feel homesick for Tibet. I often think I can still hear the cries of wild geese and cranes and the beating of their wings as they fly over Lhasa in the clear, cold moonlight. My heartfelt wish is that my story may create some understanding for a people whose will to live in peace and freedom has won so little sympathy from an indifferent world.
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