A Quote by Emma Gonzalez

That's the number one rule after you lose someone is go to somebody else, go to the people around you, be with the people that you love. — © Emma Gonzalez
That's the number one rule after you lose someone is go to somebody else, go to the people around you, be with the people that you love.
Truly wealthy people develop the habit of "getting rich slow" rather than "getting rich quick." To assure this, they have two rules with regard to money. Rule number one: Don't lose money. Rule number two: If ever you feel tempted, refer back to rule number one, "don't lose money."
It's always uneven, love; it's unbalanced and it's obviously even worse when it comes to someone wanting to part from someone who isn't willing to. It's often feeling hurt that you've never felt before and you want somebody else to feel that pain and also not wanting to let go, because when you let go you've got to start living your life again and it consumes people.
To help other people, you've got to be able to help yourself. You go to a psychiatrist, and they're on this Prozac, Effexor, and antidepressants, you may have picked the wrong person. If you go to somebody who's broke who's selling you financial services, that might not be a good thing. You go to somebody who's fat to help you lose weight... And a lot of people ironically do these types of things.
Putting my hand in someone else’s has always been my definition of happiness. Before I fall asleep, often - in that small struggle not to lose consciousness and go into the greater world - often, before I get up the courage to go into the vastness of sleep, I pretend that someone has my hand in theirs, and then I go, go to that enormous absence of form that is sleep. And when even after that I don’t have courage, I dream.
You build your world around someone, and then what happens when he disappears? Where do you go-into pieces, into atoms, into the arms of another man? You go shopping, you cook dinner, you work odd hours, you make love to someone else on June nights. But you're not really there.
Why is love so good...? You love someone and they leave. They come home one day and you say "What's happening?" and they say, "I got a better offer someplace else," and there they go, out of your life forever, and after that until you're dead you're carrying around this huge hunk of love with no one to give it to. And if you do find someone to give it to, the same thing happens all over.
I get up in the morning and I put on makeup and then I say somebody else's words in someone else's clothes, and then I go home and watch TV, have a glass of whisky and go to bed. And I'm overcompensated for that. So it's insane to not use that pedestal to try and at least help someone or something that's in need.
I always tell aspiring documentary filmmakers, 'You have to go into it because you love it; if you go into it for the money, you're an idiot.' The number one prerequisite is you have to be intensely curious. If you love learning and trying to make people figure out what makes people tick, it's the best job in the world.
Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.
It's unnatural for people to run around the city streets unless they are thieves or victims. It makes people nervous to see someone running. I know that when I see someone running on my street, my instincts tell me to let the dog go after him.
For me, the most interesting people are ones who often work against their best interests. Bad choices. They go in directions where you go, 'No no no nooo!' You push away someone who is trying to love you, you hurt someone who's trying to get your trust, or you love someone you shouldn't.
A lie's true power cannot be accurately measured by the number of people who believe its deception when it is told, it must be measured by the number of people who will go out after hearing it trying to convince others of its truth.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
When l write my own stuff, that's my only alone time. From wake-up to going to bed, I'm with someone. I don't like to do anything alone. I guess it's insecurity. When I travel, I won't go anywhere without people to go do something. I'm happier around people; the more people the better.
It's a real stumper to sit around and try to think in your own head, but when you go into somebody else's head that takes the foot off the breaks. You can think in someone else's head.
To say that you have to carry to term and look after a child for the rest of your life is to say I force you, legally, to love someone. It's like saying, you know, you have to go and love another - you have to go - you know, you have to go marry someone. It's like an arranged marriage.
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