A Quote by Emma Healey

I spend a ridiculous amount on pots, lilacs, and alliums. — © Emma Healey
I spend a ridiculous amount on pots, lilacs, and alliums.
Lilacs, False Blue, White, Purple, Colour of lilac, Your great puffs of flowers Are everywhere in this my New England ... Lilacs in dooryards Holding quiet conversation with an early moon; Lilacs watching a deserted house; ... Lilacs, wind-beaten, staggering under a lopsided shock of bloom, You are everywhere.
Now that the lilacs are in bloom She has a bowl of lilacs in her room
Budapest in late May is a city of lilacs. The sweet, languid, rather sleepy smell of lilacs wafts everywhere. And it is a city of lovers, many of them quite middle-aged. Walking with their arms around each other, embracing and kissing on park benches. A sensuousness very much bound up (it seems to me) with the heady ubiquitous smell of lilacs.
In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively that the pots that really interested us were the pots that people had used in their everyday life, and we began to think - I mean, whether it was ancient Greece or Africa or Europe or wherever, the pots that people had used in their homes were the ones that excited us.
If a pot can multiply. One day Nasrudin lent his cooking pots to a neighbour, who was giving a feast. The neighbour returned them, together with one extra one – a very tiny pot. 'What is this?' asked Nasrudin. 'According to law, I have given you the offspring of your property which was born when the pots were in my care,' said the joker. Shortly afterwards Nasrudin borrowed his neighbour's pots, but did not return them. The man came round to get them back. 'Alas!' said Nasrudin, 'they are dead. We have established, have we not, that pots are mortal?'.
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in that respect, working on the wheel is economically about the only answer I know, because one can, as Leach said, make 50 pots in a day. You can make 100 pots in a day. A really good potter can make 400 pots in a day.
People should decide 'are you willing to spend all this money to go to Mars?' I think the average person on the ground would never spend that amount of money - they have to spend it on something that makes sense and this is definitely saving our planet.
The optimum amount of sugar in a product became known as the 'bliss point.' Food inventors and scientists spend a huge amount of time formulating the perfect amount of sugar that will send us over the moon and send products flying off the shelves.
The amount of money currently in your bank account is a fact. The amount you spend today is a choice. And the way you reconcile both is through clarity.
Now that lilacs are in bloom She has a bowl of lilacs in her room And twists one in her fingers while she talks. "Ah, my friend, you do not know, you do not know What life is, you who hold it in your hands"; (slowly twisting the lilac stalks) "You let it flow from you, you let it flow, And youth is cruel, and has no remorse And smiles at situations which it cannot see." I smile, of course, And go on drinking tea.
I think the big thing is keeping positive energy in the clubhouse. The amount of time we spend in there and spend together carries over into what you do on the field.
We have a ridiculous amount of material.
We are the people who run this country. We are the deciders. And every single day, every single one of us needs to step outside and take some action to help stop this war. Raise hell. Think of something to make the ridiculous look ridiculous. Make our troops know we're for them and trying to get them out of there. Hit the streets to protest Bush's proposed surge. If you can, go to the peace march in Washington on Jan. 27. We need people in the streets, banging pots and pans and demanding, 'Stop it, now!'
I think back to some of the pots we made when we first started our pottery, and they were pretty awful pots. We thought at the time they were good; they were the best we could make, but our thinking was so elemental that the pots had that quality also, and so they don't have a richness about them which I look for in my work today. Whether I achieve it all the time, that's another question, because I don't think a person can produce at top level 100 percent of the time.
To be an artist you have to be as much a businessman to succeed, you have to spend an equal amount of time doing business as you spend doing your craft.
When you want to get good at something, how you spend your time practicing is far more important than the amount of time you spend.
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