A Quote by Emma Healey
I love writing dialogue - it's when I really lose myself in my work. I love reading it, too, when it's good and rings true.
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My guiltiest pleasure is reading a novel with a glass of wine. I love to read voraciously. I always have. And I love to lose myself in a good book.
At its best, writing is a dialogue. It's one of the things I love about children's: the fact that this dialogue is really there from the get-go, from the start of writing.
I had the most incredible English and literature teachers in school, and it really influenced my love of storytelling. It's what made me excited to study journalism in college. I love editorials and documentaries. All of that came from being given the opportunity to lose myself in good writing when I was a kid.
The third doorway is the Doorway of Unconditional Self-love, which corresponds to the energy center located in the solar plexus area. As I said earlier, the key to feeling love and living in love is having self-love. I mean real unconditional self-love, not "I love myself because I'm a good wife" or "I love myself because I do a good job at work" or "I love myself because I look a particular way." It's because I love myself no matter what. That's where our real power lies, in the ability to love ourselves unconditionally.
I am a romantic, but I do put up a barrier around myself, so it is hard for people to get in and to know the real me. I fall in love much too quickly and that results in me getting badly hurt. The problem with love is that you lose control and that is a very vulnerable state to be in. I would love to really have a beautiful relationship with somebody, but it never seems to work out. What I would like most of all is to be in a state of blissful love.
I'm not really smart, but I'm dedicated. I can be good at anything if I love it and dedicate myself. And I love history. I love science. I love music. I love golf. I love learning. I love life.
I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.
About myself I have no great illusions. I know what I am. I know what I'm good at. I know what I ain't. I'm always hoping to surprise myself. But I do have a love of music and I do love to communicate it, and that's the best I can do, really. And I can raise a good family, too.
Yes, I've been in love, but I guess I'm too involved with myself and my work. I think I'm in love with my work, and I'm in love with the people I work with.
I think, in a weird way, the reason I was drawn to screenwriting and the reason I really love doing it is because I love writing dialogue.
Long before I fell in love with writing, I fell in love with reading. Sometimes, honestly, I feel like I'm cheating on my first love when I settle into my office chair to start work on the latest manuscript.
The world is filled with too many of us who are inclined to indicate our love with an announcement or declaration. True love is a process. True love requires personal action. Love must be continuing to be real. Love takes time.
what I must learn is to love with all of me, giving all of me, and yet remain whole in myself. Any other kind of love is too demanding of the other; it takes, rather than gives. To love so completely that you lose yourself in another person is not good. You are giving a weight, not the sense of lightness and light that loving someone should give.
The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.
I love writing fiction because I can totally lose myself and I get to make up the rules of the world that I'm writing.
I'm writing as I'm reading. I'm constantly already engaged in dialogue with the critics. None of these are my ideas solely. They are my form of entering into a dialogue with ideas that are already out there, and calibrating how much sense these make to me or not. I want to be responsible to the work that has already been done.
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