A Quote by Emma Kenney

I love indie movies - I feel they can really allow you to develop a character. — © Emma Kenney
I love indie movies - I feel they can really allow you to develop a character.
It's always been my dream to just continually do really cool indie movies - character-driven stuff.
I really love doing indie projects, I think the characters that are available in indie games especially, like a lot of the indie games I've done, have been really rich interesting characters for someone of my vocal range.
It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
In the '90s, indie movies could get financing, because financers gave money straight to directors... Now it's a different system. Indie movies got co-opted by the studio system.
I'd actually love to do more comedy, but what I really wanna do is an indie drama - an intense indie road-trip movie.
I would love nothing more to participate in a real struggle to find a character, and really delve into and develop a character. That's why I'm an actor.
There are so many different ways to develop a character - physically, mentally, spiritually and all of that - but the research was really beautiful. I love the process of finding characters because, in the beginning, it's really unknown, and then, by the end of it, all of a sudden, you're walking and talking like that character.
It's a really unique situation where you just - you make independent films or you make big blockbuster movies, but it's very rare when all of those ingredients come together, and you can really tell a story that you care about with a character you absolutely love with the people you love making movies with.
For me, I always loved summer movies. I love indie movies, foreign films, but there's definitely a part of me that loves summer movies, ever since I was a kid.
I think there's a fundamental distinction between character-driven movies that are just really lovely slice-of-life movies and character-driven movies that you remember 20 or 30 years later; the common denominator with the ones you remember is that they all have some really complicated emotional problem at their core.
Even the shows or movies that we know are not going to change the world, I love this. I love 'em. I'm a movie fan. I'm a nerd of any kind. I love a big studio comedy as much as I love the teeniest tiniest of indie. I'm not a snob in that way. I really do like a big, big studio comedy.
My way of dealing with not really fitting in at my very crappy New England high school and junior high was to write sketch comedy and satirical takedowns of the social hierarchies. At the same time, I was developing a love for movies at the height of the '90s New York indie movie explosion: everything from 'Rushmore' to Nicole Holofcener movies.
I really love the Marvel universe, one of my favorite is Daredevil. I really love also the Punisher and I don't understand why they made so many bad movies on that character.
Like all artists, I'm a complete cinephile; I see everything. I see past movies, present movies, indie movies, experimental movies.
I don't really make movies with an intention other than asking myself, 'Do I love the character, and do I love the story?'
I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
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