A Quote by Emma McLaughlin

It's funny, we started writing chick-lit when it was just becoming a crowded marketplace, and now the same thing is happening with YA. It really used to just be one shelf at the library - Nancy Drew and Judy Blume.
My parents are pretty liberal. But they were just you know trying to look out for my innocence or whatever. But my babysitter had "Forever" [by Judy Blume]. And I said "Well I've read Judy Blume books, can I borrow that?" And she said no, this one's not appropriate for you. Which obviously, got me really worked up. So I took it.
That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'
My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
I started 'Will & Grace' when I was 39, and Nick started 'Parks and Rec' when he was 39. And he's really on the same trajectory; it's all happening with the same timing. It's so funny to see it all happening again.
I don't think anyone sits down and thinks, 'I know, I'll be a chick-lit writer.' You write the book that you want to write and then other people say, 'Oh, that's chick-lit.' You say, 'Okay.' But it's not like you look around and go to a careers fair and there will be someone at the chick-lit author stand.
It's funny: I don't know if she babysat, but I spent time with Judy Blume when I was little.
Puberty was definitely difficult for me. I remember my friends and I looking forward to puberty because it seemed exciting at first. You read Judy Blume and you think, "This is kind of cool." But when it actually started happening to me, I was terrified.
We're living in a world where [Judy Blume] books were ever banned, and now like "Fifty Shades of Grey" is being read in high schools. Like it's just a wild.
I started writing when I was around 6. I say 'writing,' but it was really just making up stuff! I started writing and doing my own thing. I didn't really know what a demo was or anything like that, so I started getting interested in studio gear and started learning about one instrument at a time. My first instrument was an accordion.
I used to have weird practices in crowded used-book stores in New York where I'd go in and just stomp my foot and see what fell from the shelf. And of course, because it's an unexpected encounter, there's always some magic that comes from it.
Judy Blume excels at describing how it feels to be invisible. So how poetic is it that Blume herself is suddenly everywhere?
In a crowded marketplace, fitting in is a failure. In a busy marketplace, not standing out is the same as being invisible.
For me, it's been a treat to interact with authors who were publishing when I was a young reader. Judy Blume once gave me a pep talk at a writing conference. I had a short story featured in the same anthology as Beverly Cleary. Magic.
It's like if a young woman writes it, then it's chick lit. We don't care if she's slaying vampires or working as a nanny or living in Philadelphia. It's chick lit, so who cares? You know what we call what men write? Books.
I was a voracious reader and the library fed my curiosity, imagination and my soul. I read by the shelf - biographies, fantasy - all and everything fed my dreams. Then as an adult whenever I would go on location the first thing we would do as a family is sign up at the closest library. Not only would we find books, but what was happening in that town, because the library is the head of the community.
When I was little, all I really wanted out of my life was to become Nancy Drew. I've always enjoyed fictional sleuths, especially Nancy.
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