A Quote by Emma McLaughlin

Cameron Crowe can write dialogue and shoot it with warmth and humor like nobody else. — © Emma McLaughlin
Cameron Crowe can write dialogue and shoot it with warmth and humor like nobody else.
Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.
My mentors are people like Cameron Crowe and Carrie Fisher.
Cameron Indoor Stadium is a special place in sports and there's really nothing else out there quite like it. Anytime I'm inside Cameron, I've got memories. Cameron is like Yankee Stadium or the old Boston Garden.
For me, the best high school movie is, like, 'Fast Times' and what Cameron Crowe is like.
You have Cameron Crowe write an incredible monologue for you just based on the things that you're talking about. It just became this opportunity that was too exciting a process to pass up.
You don't improvise with a Cameron Crowe script.
I worked with Cameron Crowe, and I'd love to work with him again.
I worked with Cameron Crowe, and Id love to work with him again.
I would love to work with Cameron Crowe; he's definitely one of my favorite directors.
I've produced two docs for Cameron Crowe, and I've always loved him as a filmmaker.
Often people write stories about people who are suffering, and they're miserable all the time. That's not the case. You go to the food bank or wherever and there's laughter, there's comedy, there's stupidity, there's silliness and warmth. And that's the reality of people's lives. If you cut out that sense of humor and warmth, you miss the point.
I love Cameron Crowe's 'Say Anything' and 'Almost Famous.' I think those are really great coming-of-age movies.
I'm always begging people like James Brooks and Cameron Crowe to come to screenings, to see what they make of it, and they're always ridiculously helpful. They also keep me brave enough to commit to what I'm trying to do. They can be great cheerleaders for risk-taking.
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.
As a young actor, I found myself in all these movies at once, with two big trilogies and a Cameron Crowe film and working with Ridley Scott a couple of times.
Someone asked me the other day, "Oh your story is like Cameron Crowe's, he has the same thing of having been a teenage journalist," but he was a guy and you just add gender into the mix, it's a 16-year-old girl with adults and rock stars, and it's tough.
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