A Quote by Emma Rigby

I've always been a performer. I love doing impressions of people and being the clown. — © Emma Rigby
I've always been a performer. I love doing impressions of people and being the clown.
I tick that cliched box of being the class clown. I've always done impressions and characters, so I'm very lucky that I get to do that as a career now.
People are always saying that I must have been the class clown, with all these voices. No, I was way too shy to be the class clown; I was a class clown's writer.
As a kid I was always a bit of a clown, a performer.
I was the class clown, but I was a reluctant class clown because I was always and still am somewhat embarrassed by performing. I have terrible stage fright, and I don't like being in front of people.
What I loved about wrestling was just being foolish, so I studied clown. I studied clown. I studied the art of clown. I actually did my thesis on clown.
I've always been attracted to sad. If you look at Woody Allen movies, he's often playing a sad clown, and it's always been interesting. And angry clown is even more interesting.
Since childhood, I've been a clown. I've always liked being very funny or trying to make people laugh. It's my original self.
Make sure you're doing impressions of people that are still relevant, and that everyone knows. Red Skelton impressions are a little outdated.
Be a clown , be a clown, All the world loves a clown. Act the fool , play the calf, And you'll always have the last laugh .
If you've ever been to a great clown show, there's always a moment where the clown goes into the house and fuses with the audience. There's something fantastic about the improv of it all.
It's never like we're up there being miserable at work, that's not something that happens for us. We love our work. So, when the performer loves what they're doing, it's easy for us to love what we're doing.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
Clowning is a trick to get love close. I can hug 99 percent of people in the first second of contact if I'm in my clown character. The clown assumes your humanity. It assumes that, whatever trauma you've had, you can still love yourself.
In school I was always being cast as the clown. And then I did 'The Exorcism of Emily Rose,' and once people hear you scream, they can't un-hear it. But I don't mean to say that I've been typecast, either.
I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.
I know acting is not impersonating, but I'm good with impressions. I can do impressions of people I know, and people I've been, and roles that I've acted before.
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