A Quote by Emma Roberts

I love the idea of getting to play different characters and tell some stories. When you're passionate about a project, it's nice to get the part. — © Emma Roberts
I love the idea of getting to play different characters and tell some stories. When you're passionate about a project, it's nice to get the part.
With repertory, you had to play all these different characters. The range of roles is really what I fell in love with, every night getting to become somebody different. That was my idea of acting, getting to be part of the company and a family.
I love the idea of being part of a campaign that captures the spirit of New York and the stories of women here, passionate about their dreams.
I wouldnt call acting a job - its a pleasure. I love getting to play different characters, getting to play dress up, and getting paid for it.
I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.
Actors tell stories and we play different characters, and not all of them are healthy.
Acting-wise, I've had all these experiences. Yet when I look at certain people whose careers I admire, they've gotten to play so many different characters. So it's just that - getting to have more of these singular little adventures where you get to be a part of a completely different world.
People like stories that are bigger than life, about characters with unusual powers. And when you get all the characters in the zodiac, it's so colorful, and it's so rich in different attitudes that the characters have.
I think part of the fun of being an actor is getting to work with different directors and seeing their take on it, what they're passionate about. They all have different ideas about your character.
I love telling the stories that we tell. I love playing the characters that we play.
That's a discovery process. That's the terrifying and wonderful part about getting picked up to series. You get to develop the stories and talk about the characters, and find out where the heart of the series is.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
It's difficult to learn to play these different disabled characters - Campbell in 'Switched At Birth' was paralysed from the waist down - but it's nice to be able to step into their world and live in these characters' shoes and to be able to play them, because it gives you a different look at life.
I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
I personally love auditioning. It's not just about that part: it's about getting to meet new people and really introducing myself to them - getting my name out there more than getting just that project.
With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
My first book came out again - the re-issue from 2001. I was rereading it to make sure that I didn't miss any mistakes, and I didn't know who had written some of these stories. I really didn't. I am a different person now. It's weird. I think if stories are good, they have to have a life of their own that's independent of the writer. I like to think of my characters out there in other peoples' heads. That's a nice thing to think about.
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