A Quote by Emma Roberts
Horror movies can really go one way or the other - they can go amazingly or they can go terribly - and it's generally an extreme, in one way or the other, so you have to be very careful.
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People who are afraid to go to horror movies are generally afraid their whole lives. People say to me, 'Do you have nightmares?' I never have nightmares! And I go to movies and see the most bizarre things in the world, and go... Wow that is really sick, how fun is that! And I don't have to carry it around. I think that's very healthy.
This is an amazingly sound place. We are more disaster-resistant than most other places. We haven't pushed it as hard as other people would have pushed it. I don't want to go back to Go. I've been to Go. A lot of our shareholders have a majority of their net worth in Berkshire, and they don't want to go back to Go either.
A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that. But if you go to foreign films, if you go to documentaries, if you go to independent films, if you go to good films, you will become a better person because you will understand human nature better. Movies record human nature in a better way than any other art form, that's for sure.
I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.
If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.
There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies.
Something that really irritates me is when I come to a four-way stop, and I clearly have the right of way, and the other person who doesn't have the right of way waves for me to go. I'm like, 'Yeah, I know I can go.'
You don't go to a town to present the play and have applause at the end of it, but that's benign conquest. It's a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
I love people that go the distance. I hate things that are lukewarm. They've got to be one way or the other and go all the way.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
The leader of a company needs to have a decision tree in his head - if this happens, we go this way, but if it winds up like that, then we go this other way.
Nothing ever stays in the middle. You always go from one extreme to the other, and politics is certainly that way.
I hadn't seen that many movies that really go deep enough into the fears of playing music or the language that musicians can use to treat each other or, like, the way that you can see it dehumanize and the way that it can feel like boot camp.
I can't really remember my life without movies... [Growing up in Hollywood] is no different really. I make movies the same way other kids play tennis or go to piano lessons. I'm trying to get better at what I want to do, just like other kids are trying to get better at what they want to do.
Horror has been a genre since the beginning of cinema, all the way back to the days of silent films. I don't think it will ever go away because it's so universal. Humor doesn't always travel to other countries, but horror does.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
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