A Quote by Emma Roberts

I've never read a script that I've loved equally and differently to the book. — © Emma Roberts
I've never read a script that I've loved equally and differently to the book.
You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.
I read 'The Last Wish' and really loved it. But I never would have called myself a fantasy writer before this. I've done some comic book shows, I've done a lot of drama. So when I read the book I loved it but never thought I should adapt it personally.
Our audience is all the girls who made Britney a huge star. Those are the girls who bought the book. I didn't read the book at first. I read the script just to see what I would think of the script and I really liked it.
You never forget the books you loved as a kid. You never forget the poems you memorized, the first book you read until the cover fell off, the book you read hidden from your mother. What an honor to hold hands with a child's imagination in this way.
In reviewing films, people get quite liberal about saying "the script" this and "the script" that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
If you've really loved a book, or a movie for that matter, really loved it, what you want is that same book again, but as if you've never read it. And when you get something unfamiliar, you feel betrayed.
I read the 'Kapoor & Sons' script in a half hour, forty five minutes. Not because I skimming through it... I read it like a book. By the end, I was blown away. I picked up the phone and said, 'This script is gold.'
I have been in five Harry Potter films and never read a 'Harry Potter' book. If you are an actor, all you have is the script you are given. If you read the book, you might get disappointed about what's been left out.
I think he loved us equally, but differently.
It's not a case of: 'Read this book and then you'll think differently. I've written this book, and I don't think differently.
Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read? If a tree falls in a forest and gets pulped to make paper for a book that never gets read, but there's nobody there to read it, does it make a sound?
The very cheapness of literature is making even wise people forget that if a book is worth reading, it is worth buying. No book is worth anything which is not worth much; nor is it serviceable, until it has been read, and re-read, and loved, and loved again; and marked, so that you can refer to the passages you want in it.
I never heard of anyone who was really literate or who ever really loved books who wanted to suppress any of them. Censors only read a book with great difficulty, moving their lips as they puzzle out each syllable, when someone tells them that the book is unfit to read.
Luckily enough, I read 'NOS4A2' about a year before I ever heard of the TV show, so I had read the book and absolutely loved the book.
I never read a book if I'm auditioning for a film based on it. I like to stick to the script only because that's exactly what I have to play.
Normally, when I read a script, it takes me two and a half hours. I usually put it down and come back to it. So, I know if I can read a script in one sitting, it's a fantastic script.
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