A Quote by Emma Roberts

I just don't like talking about my relationships or anything like that, in any reference. — © Emma Roberts
I just don't like talking about my relationships or anything like that, in any reference.
When I am talking about "It Takes a Village", I'm obviously not talking just about or even primarily about geographical villages any longer, but about the network of relationships and values that do connect us and binds us together.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
Some people don't like showing any deviation from normality, but I like talking about things like that, so talking about my mental health wasn't a big deal.
We're sitting in here, and I'm supposed to be the franchise player, and we in here talking about practice. I mean, listen, we're talking about practice, not a game, not a game, not a game, we talking about practice. Not a game. Not, not... Not the game that I go out there and die for and play every game like it's my last. Not the game, but we're talking about practice, man. I mean, how silly is that?.. And we talking about practice. I know I supposed to be there. I know I'm supposed to lead by example... I know that... And I'm not... I'm not shoving it aside, you know, like it don't mean anything. I know it's important, I do. I honestly do... But we're talking about practice man. What are we talking about? Practice? We're talking about practice, man.
I don't like talking about my relationships.
In many immigrant families, the parents are just talking and talking about the home country until the children are like, 'Oh, don't tell us any more.'
Ken, my husband, just smelled like he belonged to me. I'm not talking about hygiene. I'm talking about when you hug him, he either feels like a member of your tribe or not. It's their scent.
I like talking about it, I like talking about world change. I like talking about things that you want to do in your community.
I talk about everything. I'm like the person who comes home and can't hide anything. Even my friends sometimes are like, 'Kate, you've got to stop talking so much about your life.' And I'm like, 'Why?' I can't keep things in, really.
I think writers just can't come up with any new words for what we're doing, because we're not 'retro-' anything. Like, in 'Gold and a Pager,' we're not talking about what was current - pagers were cool to us, but they never stopped being cool; people just stopped using them.
I offered early on - I think I was governor about a month when I met President Obama - and said, 'I would like to visit with you in reference to border security, in reference to immigration. I'd like to be part of the discussion because I lived on the border all my life.' I've never received a call.
I'm not superstitious about anything in my life - except for playoff hockey. I get really kind of sketchy and weird about it. I don't like talking about it. I don't like making predictions.
When I'm rapping, like, a turn up song, I'm thinking about what the people want to hear; this is what they're going to like. When I'm singing, I'm, like, telling my story. I'm not worried if people like it; I'm just trying to be truthful, you know what I'm saying? I'm just talking about something that happened to me.
People are talking about sex. They're talking about sex with their husbands. They're talking about sex with their girlfriends. They're talking about sex with their partners. And because of all of this communication, women are having much more intimate relationships, which is fantastic.
Talking about how I might write the next book is like talking about whether or not to have sex. Any dithering ruins it.
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