A Quote by Emma Roberts
It's always great when a director is just supportive of what you're doing. They're not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
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Its always great when a director is just supportive of what youre doing. Theyre not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
'Giving 2.0' is about making your giving matter more to the people we all hope to help, and it's about making your giving matter more to you.
There's always a concern over budget with film too but people are more extravagant when they're making a feature. In television everything's tight, everything's paired down and it's just a question of making it look expensive.
Just like in life, when you play basketball, you have to give in order to receive. On the court, you're not only making things move along by giving the ball, but you're also giving your physical and mental strength, your passion, your talent, your trust in your teammates. This way the power can multiply and the whole team wins.
Instagram is just a way of showing the world a little piece of what you're like. You're not really giving everything away - it's not like you're making videos every second; you're just giving a little picture of what's happening in your life. No one can really completely figure it out.
After directing movies, I respect any director in this world, because making a movie as a director is tons and tons of work.
For me, when I came in, I was always worried about making the other guys happy and giving them the puck and almost giving them a little too much respect. It can take away from your game a little bit.
It was amazing how much their [Seth Rogen, Evan Goldberg, Shauna Robertson] process seemed familiar to me, translating that into the work that I had done and giving actors a lot of freedom and doing a lot of improvisation and a total respect and collaboration with all the department heads and all the crews, and just really making it an enjoyable industry rather than just clocking in and doing a job which a lot of movies are.
Something about making art has to do with overcoming things, giving us a clear opportunity for doing things in ways we have always known we should do them.
A good writer can simulate a page torn out of somebody's diary, and give you every little voyeuristic thrill you might get from that, but actually tell you a broader story. I think it's a noble idea that it's cathartic to open a vein for everybody to see, but ultimately, you're just getting blood everywhere and making a mess. I like the idea that there are deeper and more meaningful things to talk about than your own misery. But at the same time, there's something really interesting about skirting that line and making it seem like you're doing that.
Americans still believe they are cut out to be successful-in everything: love, love-making, luck, luck-giving, money-making, sense-making, cancer-avoiding, clothes-wearing, car-driving, and so on.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
A lot of people think that my work is about mocking or making fun of things, but a lot of it is about discomfort and making myself as uncomfortable as the men feel, or putting myself in a situation where I'm revealing my loneliness as much as they're revealing theirs.
I think what's so great about making your first feature film is that you're so naive in some ways; you don't know what to expect, and you don't question things as much because you're just trying to figure it out as you go.
I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.
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