A Quote by Emma Stone
In general, I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to.
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I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to. So I've read a lot of different versions of myself - and all of them are true because it's all opinion and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.
I feel like what I say on Twitter has actually a lower rate of misinterpretation than what I say on interviews because I'm just kind of rambling on interviews, and I'm just talking, talking and talking.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
I've fully accepted the fact that if I'm going to do a career like this, I have to be willing to take criticism, because it's a part of the job, you know? Any Instagram thing I post, someone's going to say something. I know that. Anything on Twitter, someone's going to judge whatever I do, whatever I say, whatever I look like. I understand that.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
Looking through the camera lens reduces noise; as humans we see a million shapes, colours and textures. What the lens does, what art does in general, is get rid of all the noise. It hones in and isolates the qualities of a scene.
I'm a shy person, so I get really nervous going into interviews.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
When I do these interviews, I get really nervous. And when I get nervous, it comes off as mellow for some reason.
I think one of my main things is I lead by example. I'm not going to be just talking, talking, talking and sitting on the side saying you have to do that or this. I'm going to be the first one over there in practice, diving on the floor, whatever it takes to really get it going.
In a print interview, as you may or may not know, they [editors] can do whatever they want. And they do. This is why most people are more hesitant to do print, because they can change it, and they do change it. They even change things that are in quotation marks, which is a pet peeve of mine. I've said to numerous reporters, "Would you read me back my direct quotes?" And they always say no. They always say that's against the policy.
Whomever it is you were born to be, whatever your soul was coded to accomplish, whatever lessons you were born to learn, now is the time to get serious and get going.
I know when things are going to get me a little nervous, because nervous to me feels good.
There's a lot of people talking about elitism and all of that.Yes, I went to Princeton and Harvard, but the lens through which I see the world is the lens that I grew up with. I am the product of a working class upbringing.
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