A Quote by Emma Walton Hamilton

My husband, Steve Hamilton - an actor/producer and co-Director of the Southampton Playwriting Conference - and I had been working in the theatre in New York for many years.
A staunch abolitionist, Hamilton was one of the founding members of the New York Manumission Society. He was a trustee and namesake of Hamilton-Oneida Academy, an upstate New York school dedicated to educating Native-American boys.
My college training was primarily in theatre, with an eye to becoming a director, actor, or producer.
I've always created solo work. When I first came to New York I was working in a few different areas; I was working as a drummer, a vocalist, an actor, and a dancer. I had gotten picked up more on the music side and that sort of went, and that's where I found my community in New York and that's the path that I went down.
When you are working, be the director's and producer's actor. Value their time and money, be punctual, disciplined, and don't misuse perks that you get as an actor.
The American world had - seemingly, at least - become a Jeffersonian world by the election of 1800, which placed Thomas Jefferson in the presidency. Jefferson had been Hamilton's rival in the new government's early years, and Hamilton has figured in the public memory almost as much for that rivalry as for his positive achievements.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
Since signing with Universal, I have been working closely with Gary Ross, the director, producer and screenwriter. We have spent many hours on the phone, and I've been sending him information and items that have been useful to the writing process.
My experience with the National Theatre in Kracow often involved many changes of storyline and character. This was particularly useful when working with a director such as Pawel Pawlikowski who is quite intuitive and demands flexibility in an actor.
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
I'm never in Hollywood! I'm a theatre actor that lives in New York. I'm very seldom in Los Angeles. I don't dislike LA, I just don't think it's a very healthy place for me to be all the time. When I'm shooting a movie there and am working I'm perfectly happy. But when I'm not working or engaged in something it's a place that I wouldn't live.
It was in New York, and I've always wanted to film in New York. And the writer was a teenage friend of mine. We did youth theatre together when we were 16 and always had a dream of making a film together. And ten years later, we've done it. So it's great.
On various shows, I've been the producing-director, the executive producer-director; and if you were working with the material you love with the right group of people, it's an incredible job to be doing.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I always enjoyed singing and working with the late Kishore Kumar. He was a legendary playback singer, an actor, and a producer/director.
I came to New York to be an actor and I became a film producer first.
This site uses cookies to ensure you get the best experience. More info...
Got it!