A Quote by Emma Walton Hamilton

I think I personally, as a writer, read differently knowing how tough it is to write, knowing how challenging it is to articulate it, to express clearly and economically and with focus and with purpose.
I went from off-off Broadway. I would direct plays in Baldwin Hills. Almost Tyler Perry-like, really trying to express myself in that and not really knowing how to, knowing acting in story, but not really knowing how to technically hold a camera.
Some people think only intellect counts: knowing how to solve problems, knowing how to get by, knowing how to identify an advantage and seize it. But the functions of intellect are insufficient without courage, love, friendship, compassion, and empathy.
The new illiteracy is about more than not knowing how to read the book or the word; it is about not knowing how to read the world.
The fact of knowing how to read is nothing, the whole point is knowing what to read.
By diminishing the value of silence, publicity has also diminished that of language. The two are inseparable: knowing how to speak has always meant knowing how to keep silent, knowing that there are times when one should say nothing.
I've dedicated a lot of my life as a writer to understanding how to hear the divine voice, or the music of the spheres, or whatever it is that we do when we're making art, making something out of nothing. Figuring out how to do that is much more important than knowing how to execute a good line. I don't think about that anymore, I just write.
Part of knowing how to think is knowing how the laws of nature shape the world around us. Without that knowledge, without that capacity to think, you can easily become a victim of people who seek to take advantage of you.
Leadership is knowing what to do next, knowing why that's important, and knowing how to bring the appropriate resources to bear on the need at hand.
Starting out really punk came from not knowing any better and listening to music like that, not knowing how to play music - well, still not knowing how to play music.
My line is probably a little more conservative than some of my compatriots in the business. But again, I think it's all - like, it just - it comes down to me knowing who I am and knowing how I want to be seen in the world, how I want to discuss things.
I read the 'Nightflyers' novella and knowing that it was something that had been written by George R.R. Martin, knowing how those stories kind of go, I was really curious to see what happened to my character in the source material.
Knowing how to die is knowing how to live. What is death anyway? It's the outcome of life.
I actually don't believe that everybody should necessarily try to learn to code. I think it's reasonably specialized, and nobody really expects most people to have to do it. It's not like knowing how to read and write and do basic math.
Knowing how to swim doesn't come from someone else showing you or someone else telling you or watching movies of other people swimming. It comes from having been in the water, knowing how to move yourself through the water and not sink. And it's true of virtually everything in our lives: knowing comes from direct experience.
I don't think there's a right or wrong things in your style. It's about how you clearly reflect who you are; how you more clearly tell the story. Who are you? How do you want to transmit that to the world, and how do you more clearly say that? Then I have a philosophy, FFPS: fit, fabric, proportion, and silhouette. Proportion's everything, really, knowing your body and understanding that. Those things have been really crucial for me. It's about being clear about the story you want to tell to the world about who you are - and maybe a little bit of FFPS.
I just feel like the world is our oyster. I grew up knowing that my mother is a journalist and was one of the first bureau chiefs I think ever at the New York Times. Hearing these stories of how hard it was for her, and yet knowing how easy it is for me right now is just remarkable.
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