A Quote by Emma Watson
I would say there have been different stages of my feminist awakening. The more layers you peel back and the more things you're made aware of, you're like, "Oh my God."
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'Vikings' has been so many different challenges, and some of that is, at times, you have to be big and imposing and violent and vicious, and then you have be pulled back and withdrawn and just more layers and more time to portray those layers, too.
I don’t have a definition of God, because I’ve never really understood that word. People have different understandings of it and it’s caused a great deal of conflict. If I had to say what would my definition of God be, if I were going to use that word, I would say that this universe has layers upon layers upon layers of compassion and wisdom beyond ours.
The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
More than anything, I'm trying to peel back those layers that keep people away from God and keep people away from experiencing the love of God and knowing God's love as a father.
I'm always talking to the writers because I find it so fascinating, how they're able to go to these different levels with the different stories, and have all these layers to peel back.
You have so many layers, that you can peel away a few, and everyone's so shocked or impressed that you're baring your soul, while to you it's nothing, because you know you've twenty more layers to go.
As a kid growing up in the 1950s I became acutely aware of the changes taking place in American culture and I must say I didn't much like it. I witnessed the debasement of architecture, and I could see a decline in the quality of things like comic books and toys, things made for kids. Old things seemed to have more life, more substance, more humanity in them.
I like it when the deeper you go with the character, the more you see the layers start to peel away.
I had been wanting to peel back the layers of who I am for so long, but I felt like I needed to prove how solid my work is first.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
As you get older, you have more and more layers of experience to forgive, more layers of heartbreak, more layers of what you might think of as failure.
It's a different point of view on the world and it's different issues and it's important. It's healthy to have both, and more and more women are becoming of aware of that. And when you are aware of how strong of an impact it has on people - it changes things.
Before, I was like 'Oh my God, I have to do this media, this media and this media,' but now I've learned these are stages you need to go through. If you play really good golf, you're going to get more media attention and more interest in you, and you'll get more confident handling it.
I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
There are a lot of layers in the film [Dream of Life]. And during editing we would try to tame all the layers, try to make things a little bit more understood. We would move scenes around. We'd try all these things.
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