A Quote by Emma Watson

Photographers want to reinvent you, to take you somewhere else, to show you in a completely different way. They look at your previous work, and try to figure out what they can do to show a new side of you.
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
I think the nice thing about showing work in New York is that other artists come to see it. When you show work in Switzerland or somewhere else, everywhere else seems to be the provinces in a certain way. You wonder what your paintings are doing on the walls and you wonder who's looking at them.
I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.
I know my idea of beauty isn't what most people's is, and the fact that I'm getting the opportunity to show my beauty and work with incredible photographers that actually take me out of my comfort zone and allow me to see myself through their work in a different way - it's a real honor.
There’s nothing to it. All you have to do is take a close look at yourself and you will understand everyone else. We’re in no way different ourselves... You show me someone who can’t understand people and I’ll show you someone who has built up a false image of himself.
When Wes has a new a project, you know that it's going to be something as different as the previous was from the previous one. Each time, he tries to take you to a country, or a land that is unknown for you and for him, and reinvent this land. That's what he did with 'Darjeeling,' with 'Mr. Fox,' with 'Moonrise Kingdom.'
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
People try and make it a big deal, but a show's a show, work's work, if you haven't wrestled in New York in a couple months, it's always good to take a booking there because there's a lot of great wrestling fans up there.
Your liberals and radicals all want to govern. They want to try it their way- to show that people will be happier if the power is wielded in a different way or for different purposes. But how do they know? Have they ever tried it? No, it's merely their guess.
You can't reinvent the wheel. You've got to just take the best from all the other shows and try to make it work, because there's the "live show Gods" that dictate if there are going to be any surprises, if there's a very commercial film that's a Best Picture. There are a lot of things that are out of my control, but I do my best.
I've never been unfaithful outside 'Made In Chelsea.' I don't care what the reputation looks like. I was unfaithful on that television show because it's a show about that. I'm not saying it was acceptable behavior, but the show wouldn't work without relationships failing. In real life it's completely different.
You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.
The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.
You try to take advantage of taking control of the game when you know you may have guys on base and counts aren't in your favor or whatever. You just try to figure out ways to slow the game down to get back to the pace that you want it to be at, to try to get the momentum back on your side.
I always try to look at the episode overall, and try to figure out where I can add something that's a little ironic or self-aware or light because I think that's what makes the show special.
My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.
This site uses cookies to ensure you get the best experience. More info...
Got it!