I find it easier to cry than I do to laugh convincingly. It's incredibly hard to pull off a laugh that feels natural take after take after take, that feels real. You can tell a fake laugh the minute you hear it, and that's something I really struggle with more than producing tears.
"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."
It's much easier to cry or be angry, but to really laugh and genuinely be buoyant and laugh. That's hard if you don't really feel that way.
Laugh. Laugh as much as you can. Laugh until you cry. Cry until you laugh. Keep doing it even if people are passing you on the street saying, "I can't tell if that person is laughing or crying, but either way they seem crazy, let's walk faster." Emote. It's okay. It shows you are thinking and feeling.
In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.
Demons do not cry. You became a demon, because you couldn't cry anymore right? Humans cry and when their tears finally run dry, there's nothing left, not a demon nor a monster and one final prayer for death. So, laugh demon. Laugh that arrogant laugh of your and remember I beat you to it.
What I'd show you is much more bizarre than anything we have looked at so far, and I warn you in advance that the first impulse will be to laugh. That's all right. Laugh if you must. Just don't take your eye off what you see, for even in your imagination, here is a creature who can do you damage.
I took an acting class. After the first day, the teacher quit, so they said take another. When I saw 'How to be a Stand-up Comedian,' it resonated. I realized I'd rather make 200 people laugh than make one person cry.
I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theatre than when it came in.
If you can’t laugh together in bed, the chances are you are incompatible, anyway. I’d rather hear a girl laugh well than try to turn me on with long, silent, soulful, secret looks. If you can laugh with a woman, everything else falls into place.
To take a gloomy view of life is not part of my philosophy; to laugh at the idiocies of my fellow creatures is. However, at this particular moment I cannot find so much to laugh at as I would like.
Something about not waiting for the laugh of a laugh track allows you to take lines that otherwise might be seen as just direct jokes, and make them seem realistic.
Don't take yourself too seriously. Know when to laugh at yourself, and find a way to laugh at obstacles that inevitably present themselves.
A lot of thought goes into making people laugh. Comedy is never easy. Making people cry is easier than making them laugh.
Feeling different, feeling alienated, feeling persecuted, feeling that the only way to deal with the world is to laugh - because if you don't laugh you're going to cry and never stop crying - that's probably what's responsible for the Jews having developed such a great sense of humor. The people who had the greatest reason to weep, learned more than anyone else how to laugh.
comedy ... is much harder to do than drama. It's not true that laugh and the world laughs with you. It's very hard to make a group of people laugh at the same thing; much easier to make them cry at the same thing. ... That's why great comic acting is probably the greatest acting there is.
Dark humor appealed to me because it was a bigger laugh than you could get with anything else. Seeing people laugh at something inappropriate with their whole bodies, a guttural, visceral laugh beyond a mere "hah."